It is 1777, and England’s second-greatest portrait artist, Thomas Gainsborough, has a thriving practice a stone’s thrown from London’s royal palaces, while the press talks up his rivalry with Sir Joshua Reynolds, the pedantic theoretician who is the top dog of British portraiture. Fonder of the low life than high society, Gainsborough loathes pandering to the grandees who sit for him. However, he changes his tune when he is commissioned to paint King George III, his German queen and their vast family. He discovers a taste for royal company—but who will be chosen as court painter, Tom or Sir Joshua? Meanwhile, two and a half centuries later, a badly damaged painting turns up on a downmarket antiques TV show being filmed in Suffolk. Could the monstrosity really be, as its eccentric owner claims, a Gainsborough? If so, who is the sitter? And why does he have donkey’s ears?
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Simon Edge was editor of Capital Gay, a gossip columnist for Evening Standard anda feature writer and theatre critic for Daily Express.
"A laugh-out-loud contemporary satire married with a tale of vicious rivalry in the world of 18th century portraiture." —Liz Trenow, author, The Forgotten Seamstress
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Paperback. Condition: Very Good. It is 1777, and England's second-greatest portrait artist, Thomas Gainsborough, has a thriving practice a stone's thrown from London's royal palaces. Meanwhile, the press talks up his rivalry with Sir Joshua Reynolds, the pedantic theoretician who is the top dog of British portraiture. Fonder of the low life than high society, Gainsborough loathes pandering to grand sitters, but he changes his tune when he is commissioned to paint King George III and his large family. In their final, most bitter competition, who will be chosen as court painter, Tom or Sir Joshua? Two and a half centuries later, a badly damaged painting turns up on a downmarket TV antiques show being filmed in Suffolk. Could the monstrosity really be, as its eccentric owner claims, a Gainsborough? If so, who is the sitter? And why does he have donkey's ears? Mixing ancient and modern as he did in his acclaimed debut The Hopkins Conundrum, Simon Edge takes aim at fakery and pretension in this highly original celebration of one of our greatest artists. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR009908971
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