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Seller: Books From California, Simi Valley, CA, U.S.A.
hardcover. Condition: Good. Book is slightly bent. Seller Inventory # mon0003385851
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Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Condition: Good. Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 1.74. Seller Inventory # 1789971721-2-4
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Seller: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Germany
gebundener Originalpappband. Condition: Wie neu. 1. Auflage. XVIII, 316 Seiten : 52 Illustrationen ; Sehr sauber und frisch erhalten, keinerlei Einträge. List of Illustrations ix Acknowledgements xvii Introduction i part I Collage's Interrelations: Text, Geography and Materiality 21 DAVID RAGNAR NELSON i City of Paper: The Materiality of Montage in Alfred Doblin's Berlin Alexanderplatz (1929) 23 ASTRID VON ASTEN 2 'I Was Haunted by the Idea of Doing Something Absolute': Hans Arp, Pioneer of Non-Objective Collage 49 part 11 Collage and Appropriation 87 BRETT M. VAN HOESEN 3 Colonial Botany and the Collages of Max Ernst 89 ANA MARIA GOMEZ LOPEZ 4 Fossils and Clippings as Odds and Ends: Johannes Weigelt's Elusive Photomontages in Nazi Germany part in Defining and Re-Defining Collage in a Postwar Context 145 ADRIAN SUDHALTER 5 Collage as Symbolic Form: Margaret Miller, College and the 'Dislocations of War' 147 MICHAEL WHITE 6 Montage Reassembled: Dada in the Postwar Archive 195 part IV Collage and Corporeality 219 OONA LOCHNER 7 Cutting Across Lines: Lil Picard and the Reorienting Effects of Collage 221 LISA LEE 8 Thomas Hirschhorn and the Incommensurable Gesture 253 Bibliography 279 Notes on Contributors 297 Index ISBN 9781789971729 Sprache: Deutsch Gewicht in Gramm: 625. Seller Inventory # 1206193
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Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # CW-9781789971729
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Seller: Grand Eagle Retail, Fairfield, OH, U.S.A.
Hardcover. Condition: new. Hardcover. Compressed Utterances brings focused attention to collage in a Germanic context, whose contours and impact are still so little appreciated. As this stunning volume shows, collage serves as a key medium not only for understanding art historical developments but social and political transformations as well, often embodying the dynamic forces of avant-garde criticality.(Thomas O. Haakenson, Associate Professor, History of Art andVisual Culture, California College of the Arts) A deep dive into the paradigmatic medium of the twentieth century, Compressed Utterances is the foundational text of the growing field of collage studies. The books established and emerging authors investigate an astonishing range of previously unknown collage work to explore German artists and writers deployment of this medium as appropriative, intertextual, alienating, and temporally slippery.(Elizabeth Otto, Professor of Modern and Contemporary Art,The University at Buffalo, State University of New York) Composite pictures create narratives and images from many fragments. They turn often disparate and juxtaposing images and text into a singular image or message. Collage makes from the broken and, arguably, no other country has reflected the fractious nature of its history more than Germany. The collage form is one of the best expressive forms to be taken up and experimented with by German artists since 1912. Compressed Utterances: Collage in a Germanic Context after 1912 brings together essays by scholars, students and curators to examine the use of collage by German-speaking artists, making in their homeland and abroad, whose works are closely connected to the tumultuous histories of Germany and neighbouring German-speaking nations since 1912 to the late 2000s. The collage form is one of the best expressive forms to be taken up and experimented with by German artists since 1912. This volume of essays examines the use of collage by German-speaking artists, making in their homeland and abroad, whose works are closely connected to the tumultuous histories of Germany. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781789971729
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Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. In. Seller Inventory # ria9781789971729_new
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Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 631. Seller Inventory # C9781789971729
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Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -«Compressed Utterances brings focused attention to collage in a Germanic context, whose contours and impact are still so little appreciated. As this stunning volume shows, collage serves as a key medium not only for understanding art historical developments but social and political transformations as well, often embodying the dynamic forces of avant-garde criticality.»(Thomas O. Haakenson, Associate Professor, History of Art andVisual Culture, California College of the Arts) «A deep dive into the paradigmatic medium of the twentieth century, Compressed Utterances is the foundational text of the growing field of collage studies. The book's established and emerging authors investigate an astonishing range of previously unknown collage work to explore German artists' and writers' deployment of this medium as appropriative, intertextual, alienating, and temporally slippery.»(Elizabeth Otto, Professor of Modern and Contemporary Art,The University at Buffalo, State University of New York) Composite pictures create narratives and images from many fragments. They turn often disparate and juxtaposing images and text into a singular image or message. Collage makes from the broken and, arguably, no other country has reflected the fractious nature of its history more than Germany. The collage form is one of the best expressive forms to be taken up and experimented with by German artists since 1912. Compressed Utterances: Collage in a Germanic Context after 1912 brings together essays by scholars, students and curators to examine the use of collage by German-speaking artists, making in their homeland and abroad, whose works are closely connected to the tumultuous histories of Germany and neighbouring German-speaking nations since 1912 to the late 2000s. 334 pp. Englisch. Seller Inventory # 9781789971729
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Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - «Compressed Utterances brings focused attention to collage in a Germanic context, whose contours and impact are still so little appreciated. As this stunning volume shows, collage serves as a key medium not only for understanding art historical developments but social and political transformations as well, often embodying the dynamic forces of avant-garde criticality.»(Thomas O. Haakenson, Associate Professor, History of Art andVisual Culture, California College of the Arts) «A deep dive into the paradigmatic medium of the twentieth century, Compressed Utterances is the foundational text of the growing field of collage studies. The book's established and emerging authors investigate an astonishing range of previously unknown collage work to explore German artists' and writers' deployment of this medium as appropriative, intertextual, alienating, and temporally slippery.»(Elizabeth Otto, Professor of Modern and Contemporary Art,The University at Buffalo, State University of New York) Composite pictures create narratives and images from many fragments. They turn often disparate and juxtaposing images and text into a singular image or message. Collage makes from the broken and, arguably, no other country has reflected the fractious nature of its history more than Germany. The collage form is one of the best expressive forms to be taken up and experimented with by German artists since 1912. Compressed Utterances: Collage in a Germanic Context after 1912 brings together essays by scholars, students and curators to examine the use of collage by German-speaking artists, making in their homeland and abroad, whose works are closely connected to the tumultuous histories of Germany and neighbouring German-speaking nations since 1912 to the late 2000s. Seller Inventory # 9781789971729
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Seller: moluna, Greven, Germany
Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The collage form is one of the best expressive forms to be taken up and experimented with by German artists since 1912. This volume of essays examines the use of collage by German-speaking artists, making in their homeland and abroad, whose work. Seller Inventory # 641302742
Quantity: Over 20 available