The Sea-Wolf belongs in the honorific tradition of American sea fiction where the voyage motif became a means of exploring the meaning of life, as in Richard Henry Dana's Two Years Before the Mast (1840), Edgar Allan Poe's The Narrative of Arthur Gordon Pym (1838), and Herman Melville's Moby Dick (1851). The dominant subject is an intellectual conflict between a ship-wrecked literary figure, Humphrey Van Weyden, and the brutal captain of a seal-hunting schooner, Wolf Larsen, who rescues Van Weyden and puts him to menial work on the schooner. The central chapters focus on the gory details of seal-hunting, and the final section shows how far Van Weyden has learned seamanship as he restores The Ghost to sailing health and returns to port with the only woman passenger, another shipwrecked figure, to plight their troth.
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A thrilling epic of a sea voyage and a complex novel of ideas, The Sea-Wolf is a standard-bearer of its genre. It is the vivid story of a gentleman scholar, Humphrey Van Weyden, who is rescued by a seal-hunting schooner after a ferryboat accident in San Francisco Bay. London uses Van Weyden's ordeal at the hands of a schooner's devious crew to explore powerful themes of ambition, courage, and the innate will to survive. The Sea-Wolf also introduces Jack London's most memorable, fully realized character, Wolf Larsen, the schooner's brutal captain, who ruthlessly crushes anyone standing in his way. As Gary Kinder states in his Introduction, "Wolf Larsen is one of the most carefully carved characters in American literature....London, himself, seems as fascinated as the reader with his own creation."
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