In the city of Shadow, beneath the World Tree, alleyways shimmer with magic and godlings live hidden among mortalkind. Oree Shoth, a blind artist, takes in a homeless man who glows like a living sun to her strange sight. However, this act of kindness is to engulf Oree in a nightmarish conspiracy. Someone, somehow, is murdering godlings, leaving their desecrated bodies all over the city. Oree's peculiar guest is at the heart of it, his presence putting her in mortal danger - but is it him the killers want, or Oree And is the earthly power of the Arameri king their ultimate goal, or have they set their sights on the Lord of Night himself
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N. K. Jemisin is a Brooklyn author who won the Hugo Award for Best Novel for The Fifth Season, which was also a New York Times Notable Book of 2015. She previously won the Locus Award for her first novel, The Hundred Thousand Kingdoms, and her short fiction and novels have been nominated multiple times for Hugo, World Fantasy, and Nebula awards, and shortlisted for the Crawford and the James Tiptree, Jr. awards. She is a science fiction and fantasy reviewer for the New York Times, and you can find her online at nkjemisin.com.
Starred Review. New authors often falter when following up on a noteworthy debut, but Jemisin proves more than up to the challenge. A decade after the events of March 2010's The Hundred Thousand Kingdoms, artist Oree, blind to reality but able to see magic, sells trinkets to tourists in Sky, a city filled with supernatural entities and happenings in a world slowly emerging from doctrinaire authoritarianism. After she discovers the corpse of a murdered godling, Oree is pursued both by fanatic religious officials looking for scapegoats and by the ruthless conspirators behind the murder. Hesitant, impoverished Oree is very different from Jemisin's previous heroine, politician–princess Yeine, and she proves just as compelling as she investigates the murder and her own mysterious heritage. Returning fans will especially appreciate certain details, but this novel stands on its own and is worth reading purely for its own strengths. (Nov.) (c)
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