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James Sallis Death Will Have Your Eyes ISBN 13: 9781842437209

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9781842437209: Death Will Have Your Eyes
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David (as he's currently known) was a member of an elite corps of spies trained during the coldest days of the Cold War. But those days are long gone and for almost a decade he has been out of the rat race and working as a sculptor. Then a phone call in the middle of the night awakens him: the only other survivor from that elite corps has gone rogue. They need David to stop him. What ensues is an existential cat-and-mouse game played out across the great board that is the American landscape, through the diners and motels that dot the terrain like green plastic houses on a Monopoly board.

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About the Author:
JAMES SALLIS has published more than a dozen novels; multiple collections of short stories, poems, and essays; the definitive biography of Chester Himes; several books of musicology; and a translation of Raymond Queneau's novel Saint Glinglin. His works have been shortlisted for the Anthony, Nebula, Edgar, Shamus, and Gold Dagger awards. The film version of his novel Drive won the Best Director Award at the Cannes International Film Festival, and his 'Lew Griffin' books are in development for film. He plays guitar, French horn, mandolin, fiddle, sitar, and Dobro, both solo and with the band Three-Legged Dog.
From Kirkus Reviews:
A world-weary spy who's been out of the business for nine years is dragged back into the circus to catch a former colleague gone rogue. At least that's the summary that'll end up on the dust jacket. But it doesn't give you any idea of the flip, absurdist tone--part Thomas Berger, part Richard Brautigan--that subverts the conventions of the spy novel even more profoundly than Sallis's earlier novels (Black Hornet, 1994, etc.) deconstructed the detective story. When former spy David (not his real name), dragged back into the game by his old boss Johnsson, now blind, bids farewell to his second life as a sculptor by telling his Irish-Mexican girlfriend Gabrielle that ``Everything you know about me, everything you think you know, is false'' and asking her to move far away from him, her unquestioning cooperation gives the tale a dreamlike unreality from the start. As the plot thickens, Sallis spins out all the obligatory scenes--the tense reunion with the agency types, the ritual stalkings, the bouts of Gabrielle-free sex, the long-anticipated kidnapping, the climactic showdown with the obsolete killer Luc Planchat--but in prose whose telegraphic flights of noblesse oblige (``Finally I did manage to drop him without getting hurt myself or, more important, without having to kill or seriously maim my opponent, but it wasn't easy'') are guaranteed to keep readers from losing any sleep over the story. The characters David meets in his cross-country odyssey are properly memorable--from his old agency friend Blaise, now mute, to Jeanne, the Piltdown guitarist who fears that sex has reactivated her cancer--but at the same time they come across as wayward squiggles whose interactions with David are so elusive that you'd be hard-pressed to take a quiz on the plot five minutes after turning the last page. The reward for patient readers is a finely poetic quality to every understated scene--despite a cargo of allusions to Voznesensky, Cendrars, Pavese, Cavafy, MacLeish, Apollinaire, and Homer. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.

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  • PublisherNo Exit Press
  • Publication date2012
  • ISBN 10 1842437208
  • ISBN 13 9781842437209
  • BindingPaperback
  • Number of pages192
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