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Synopsis
Lindsay Anderson's film if...(1968), starring Malcolm McDowell as a schoolboy who leads a guerilla insurgence, imagines how repression, conformity, and fusty ritual at an English public school could lead to anarchy and bloody revolt. Its title is a sardonic nod to Rudyard Kipling's most famous poem, and its story a radical updating of Kipling's 1899 story 'Stalky and Co.,' in which prankish rebels are groomed to police the empire. Released at a time of unprecedented student uprisings in Europe and America, if...provided a peculiarly English perspective on the battle between generations - the perennial war of the romantically passionate against the corrupt, the ugly, the old, and the foolish. Though its emotional surface is authentically anti-authoritarian, its intellectual substance, as Mark Sinker argues, is rooted in a deep familiarity with the symbols of English ruling-class values. No longer a vehicle for shock or dissent, if...is today enjoyed comfortably, even nostalgically, but for Sinker this renders its many knots and paradoxes, the moments of poetry that Anderson argued were cinema's raison d'etre, all the more fascinating.
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About the Author
Mark Sinker is a contributing editor at Sight and Sound. His Village Voice essay on Iannis Xenakis was included in Da Capo Best Music Writing of 2003.
From the Back Cover
Lindsay Anderson's film if...(1968), starring Malcolm McDowell as a schoolboy who leads a guerilla insurgence, imagines how repression, conformity, and fusty ritual at an English public school could lead to anarchy and bloody revolt. Its title is a sardonic nod to Rudyard Kipling's most famous poem, and its story a radical updating of Kipling's 1899 story "Stalky and Co.," in which prankish rebels are groomed to police the empire. Released at a time of unprecedented student uprisings in Europe and America, if...provided a peculiarly English perspective on the battle between generations - the perennial war of the romantically passionate against the corrupt, the ugly, the old, and the foolish. Though its emotional surface is authentically anti-authoritarian, its intellectual substance, as Mark Sinker argues, is rooted in a deep familiarity with the symbols of English ruling-class values. No longer a vehicle for shock or dissent, if...is today enjoyed comfortably, even nostalgically, but for Sinker this renders its many knots and paradoxes, the moments of poetry that Anderson argued were cinema's raison d'etre, all the more fascinating.
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If.
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If.
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"If." (BFI Film Classics)
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Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind. Seller Inventory # rev9514128319
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"If." (BFI Film Classics)
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Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR002925885
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If. .
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Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # GRP82088318
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If. (Paperback)
Published by
Bloomsbury Publishing PLC, London, 2004
ISBN 10: 1844570401
ISBN 13: 9781844570409
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Paperback. Condition: new. Paperback. Lindsay Anderson's film if.(1968), starring Malcolm McDowell as a schoolboy who leads a guerilla insurgence, imagines how repression, conformity, and fusty ritual at an English public school could lead to anarchy and bloody revolt. Its title is a sardonic nod to Rudyard Kipling's most famous poem, and its story a radical updating of Kipling's 1899 story 'Stalky and Co.,' in which prankish rebels are groomed to police the empire. Released at a time of unprecedented student uprisings in Europe and America, if.provided a peculiarly English perspective on the battle between generations - the perennial war of the romantically passionate against the corrupt, the ugly, the old, and the foolish. Though its emotional surface is authentically anti-authoritarian, its intellectual substance, as Mark Sinker argues, is rooted in a deep familiarity with the symbols of English ruling-class values. No longer a vehicle for shock or dissent, if.is today enjoyed comfortably, even nostalgically, but for Sinker this renders its many knots and paradoxes, the moments of poetry that Anderson argued were cinema's raison d'etre, all the more fascinating. Provocative study of this still-relevant parable of schoolboy revolution Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781844570409
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If.
Published by
Bloomsbury Publishing PLC, GB, 2004
ISBN 10: 1844570401
ISBN 13: 9781844570409
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Seller: Rarewaves.com USA, London, LONDO, United Kingdom
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Paperback. Condition: New. Lindsay Anderson's film if.(1968), starring Malcolm McDowell as a schoolboy who leads a guerilla insurgence, imagines how repression, conformity, and fusty ritual at an English public school could lead to anarchy and bloody revolt. Its title is a sardonic nod to Rudyard Kipling's most famous poem, and its story a radical updating of Kipling's 1899 story "Stalky and Co.," in which prankish rebels are groomed to police the empire. Released at a time of unprecedented student uprisings in Europe and America, if.provided a peculiarly English perspective on the battle between generations - the perennial war of the romantically passionate against the corrupt, the ugly, the old, and the foolish. Though its emotional surface is authentically anti-authoritarian, its intellectual substance, as Mark Sinker argues, is rooted in a deep familiarity with the symbols of English ruling-class values. No longer a vehicle for shock or dissent, if.is today enjoyed comfortably, even nostalgically, but for Sinker this renders its many knots and paradoxes, the moments of poetry that Anderson argued were cinema's raison d'etre, all the more fascinating. Seller Inventory # LU-9781844570409
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If.
Published by
British Film Institute, London, 2004
ISBN 10: 1844570401
ISBN 13: 9781844570409
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Seller: BISON BOOKS - ABAC/ILAB, Winnipeg, MB, Canada
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Paperback. pp. 88. Slim 8vo. Replete with photographs. Lightest shelfwear; very good+. Seller Inventory # 092393
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If.
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # HU-9781844570409
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If.
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