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Foster, Hal The Art-Architecture Complex ISBN 13: 9781844676897

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9781844676897: The Art-Architecture Complex

Synopsis

Hal Foster, author of the acclaimed Design and Crime, argues that a fusion of architecture and art is a defining feature of contemporary culture. He identifies a “global style” of architecture—as practiced by Norman Foster, Richard Rogers and Renzo Piano—analogous to the international style of Le Corbusier, Gropius and Mies. 

More than any art, today’s global style conveys both the dreams and delusions of modernity. Foster demonstrates that a study of the “art-architecture complex” provides invaluable insight into broader social and economic trajectories in urgent need of analysis.


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About the Author

Hal Foster is Townsend Martin Professor of Art and Archaeology at Princeton University. A coeditor of October magazine and a number of books, he is the editor of The Anti-Aesthetic as well as the author of Design and Crime, Recording, The Return of the Real, and Compulsive Beauty.

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9781781681046: The Art-Architecture Complex

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Hardcover. Condition: Fine in fine dust jacket. Sewn binding. Cloth over boards. 316 p. Contains: Illustrations. Audience: General/trade. Seller Inventory # MBU0000793

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hardcover, Condition: Very Good, Verso, London, c.2011, 8vo., cloth, 302pp., remainder mark, VG/VG $. Seller Inventory # 102809

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Foster, Hal
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ISBN 10: 1844676897 ISBN 13: 9781844676897
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Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. Cloth, xiii, 302 pages, illustrations (chiefly colour); 22 cm. Near fine. Tight, clean copy. Tips mildly bumped. Dust jacket protected in a mylar cover. *** "Hal Foster, author of the acclaimed Design and Crime, argues that a fusion of architecture and art is a defining feature of contemporary culture. While architects such as Zaha Hadid and Herzog and de Meuron draw on art to reanimate design, architecture has inspired fundamental transformations in painting, sculpture and film, which are also explored here. The book includes an extensive conversation with Richard Serra. At the same time Foster points to a 'global style' of architecture, as practiced by Norman Foster, Richard Rogers and Renzo Piano, that is analogous to the 'international style' of Le Corbusier, Gropius and Mies--a global style that, more than any art, conveys the look of modernity today, both its dreams and its delusions. In these ways Foster demonstrates that 'the art-architecture complex' is a key indicator of broader social and economic trajectories and in urgent need of analysis and debate. / Hal Foster is Townsend Martin Professor of Art and Archaeology at Princeton University. A coeditor of October magazine and a number of books, he is the editor of The Anti-Aesthetic as well as the author of Design and Crime, Recording, The Return of the Real, and Compulsive Beauty." - Publisher. *** CONTENTS: Image-building; Part I. Global styles: Pop civics; Crystal palaces; Light modernity; Part II. Architecture vis-a`-vis art: Neo-avant-garde gestures; Postmodernist machines; Minimalist museums; Part III. Mediums after minimalism: Sculpture remade; Film stripped bare; Painting unbound; Building contra image. Size: 8vo. Collectible. Seller Inventory # 121619

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Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Seller Inventory # Z1-Q-010-02548

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Paperback. Condition: Very Good. Hal Foster, author of the acclaimed Design and Crime, argues that a fusion of architecture and art is a defining feature of contemporary culture. While architects such as Zaha Hadid and Herzog and de Meuron draw on art to reanimate design, architecture has inspired fundamental transformations in painting, sculpture and film, which are also explored here. The book includes an extensive conversation with Richard Serra. At the same time Foster points to a "global style" of architecture, as practiced by Norman Foster, Richard Rogers and Renzo Piano, that is analogous to the "international style" of Le Corbusier, Gropius and Mies-a global style that, more than any art, conveys the look of modernity today, both its dreams and its delusions. In these ways Foster demonstrates that "the art-architecture complex" is a key indicator of broader social and economic trajectories and in urgent need of analysis and debate. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR007009342

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Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. Size: 8vo <9 3/4". xiv + 302pp. Internally clean. Binding firm. Dust Jacket is in as new condition, apart from normal shop shelf wear. Edges slightly marked. Illustrated. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Art & Design; Modern; Architecture. ISBN: 1844676897. ISBN/EAN: 9781844676897. Pictures of this item not already displayed here available upon request. Inventory No: 47431. Seller Inventory # 47431

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