When Albert R. Broccoli and Harry Saltzman set out to make what they expected to be the first of three or four movies based on the espionage novels of Ian Fleming they can hardly have dreamed that they were founding a business that would still be going strong nearly half a century later. Yet the role of James Bond, which transformed Sean Connery's career in 1962 when Dr No came out, still retained its star-making power in 1906 when Daniel Craig made his Bond debut in Casino Royale.
Somehow, with the odd misstep along the way, the producers have contrived to keep Bond in touch with the spirit of the times, from the swinging sixties to the angst-ridden post 9/11 years.
In investigating the fascinating history of the films, Sinclair McKay has interviewed people concerned in all aspects of their production, from designer Ken Adams, who almost single-handedly gave Bond films their inimitable visual style, to the technicians, cameramen and stunt people who formed a team that has remained remarkably constant over the years. The result is a book packed with little-known facts - the Russians actually asked Albert R. Broccoli to consider creating a Russian equivalent to Bond, and he was sufficiently interested to fly to Moscow for talks - and improbable anecdotes - the iconic scene of a bikini-clad Ursula Andress in Dr No was nearly wrecked by the English poet Stephen Spender, a house guest of the Flemings at the time. And who was spotted skulking out of the 1983 TUC conference in order to see Octopussy? None other than that scourge of the Bondian lifestyle, Arthur Scargill!
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Sinclair McKay is a freelance journalist. His first book, A Thing of Unspeakable Horror: The History of Hammer Films ( ISBN 978 1 84513 249 1) was described by the Guardian as 'This splendid history' and by the Observer as 'A critical' romp' which is 'fun to read'.
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Paperback. Condition: Very Good. When Albert R. Broccoli and Harry Saltzman set out to make what they expected to be the first of three or four movies based on the espionage novels of Ian Fleming they can hardly have dreamt that they were founding a business that would still be going strong nearly half a century later. Yet the role of James Bond, which transformed Sean Connery's career in 1962 when Dr No came out, still retained its star-making power in 2006 when Daniel Craig made his Bond debut in Casino Royale. This is the story of how, with the odd misstep along the way, the owners of the Bond franchise, Eon Productions, have contrived to keep James Bond abreast of the zeitgeist and at the top of the charts for 45 years, through 21 films featuring six Bonds, three M's, two Q's and three Moneypennies Thanks to the films, Fleming's original creation has been transformed from a black sheep of the post-war English upper classes into a figure with universal appeal, constantly evolving to keep pace with changing social and political circumstances. Having interviewed people concerned with all aspects of the films, Sinclair Mckay is ideally placed to describe how the Bond 'brand' has been managed over the years as well as to give us the inside stories of the supporting cast of Bond girls, Bond villains, Bond cars and Bond gadgetry. Sinclair Mckay, formerly assistant features editor of the Daily Telegraph, works as a freelance writer and journalist. He is also the author of A Thing of Unspeakable Horror: The History of Hammer Films, which the Guardian called 'A splendid history' and the Independent on Sunday described as 'Brisk, cheerful and enthusiastic'. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR002128511
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