Historian Anna Bennett has a book to write. She also has an insomniac toddler, a precocious, death-obsessed seven-year-old, and a frequently absent ecologist husband who has brought them all to Colsay, a desolate island in the Hebrides, so he can count the puffins. Ferociously sleep-deprived, torn between mothering and her desire for the pleasures of work and solitude, Anna becomes haunted by the discovery of a baby's skeleton in the garden of their house. Her narrative is punctuated by letters home, written 200 years before, by May, a young, middle-class midwife desperately trying to introduce modern medicine to the suspicious, insular islanders. The lives of these two characters intersect unexpectedly in this deeply moving but also at times blackly funny story about maternal ambivalence, the way we try to control children, and about women's vexed and passionate relationship with work. Moss's second novel displays an exciting expansion of her range - showing her to be both an excellent comic writer and a novelist of great emotional depth.
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SARAH MOSS was educated at Oxford University and is currently an Associate Professor of Creative Writing at the University of Warwick. She is the author of two novels; Cold Earth (Granta 2010), and Night Waking, which was selected for the Fiction Uncovered Award in 2011, and she is the co-author of Chocolate: A Global History. She spent 2009-10 as a visiting lecturer at the University of Reykjavik.
The swans are by the shore, drifting bright as paper cutouts
against waves blurred by dusk. They spend the night
murmuring oboe harmonies to each other, a woodwind of
reassurance. Ordinary swans, the Queen’s swans on the river
where we feed the ducks at home, have faces apparently
afflicted by some medieval disease, and sleep standing on one
leg, heads under their wings like child-free passengers on
long-haul flights who can summon night with a nylon blindfold.
These sea swans seem to stay awake all night, sailing
through the fading light like ships bound for far countries, and
they have faces as smooth and neutral as the corps de ballet, faces
that can’t communicate any level of grief or pain. Perhaps this
is an asset in species that mate for life.
I glance back at the house. Its façade, dark as the cliff-face
at the other end of the island, turns away from the after-light
shining over the sea, from where America is coming up for a
new day as we turn away from the sun. One of the swans
stretches towards the sky and cries out, wings threshing the water
in sudden agitation like that of someone who has just remembered
that a friend is dead. I saw a goose dying, once, a Canada
goose that had flown all the way from the Arctic to end its life on
the hard shoulder of the M40, and although one wing was still
beating as if to music while the other lay across the rumble-strip,
its face was impassive. I stood on the footbridge, watching, joggling
the pram in which the baby would sleep only for as long
as we kept moving, until some lorry driver, merciful or inattentive,
left a flurry of feathers and red jam on the road. Our swans
are safe from that, here. For a season. Like us, they will go south
in the autumn, but for now there are no cars, no roads. No
bridges, either. The stars are coming out in the darkening sky
over the hill. I shiver; not cold, exactly, but time to go in.
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Paperback. Condition: Good. 'Humorous, sad and clever . a passionately written meditation on motherhood' Sunday Times Anna Bennett hasn't slept in months. She also has an insomniac toddler, a precocious, death-obsessed seven-year-old, and a frequently-absent ecologist husband who has brought them all to a desolate island in the Hebrides so he can count the puffins. When her son finds a baby's skeleton buried in the garden, Anna must confront the island's troubled past, while finding a way to live with the complex demands of motherhood. Night Waking is a deeply moving and blackly funny tale from one of the great feminist observers of modern family life. 'Sarah Moss writes the kind of books that are difficult to put down' Louise Welch, Financial Times 'Moss writes marvellously (and often hilariously).' The Times. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. Seller Inventory # GOR003815099
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