While many publications have engaged with the events, artists and poets associated with war fought on land, the cultural history of the war at sea has been neglected. This original book redresses this imbalance by being the first study to focus on the art of war in the first half of the 20th century from a distinctly naval and maritime perspective. Drawing on the first-class collections of paintings, works on paper (including drawings, photography and posters) and archival material, such as private papers, journals and memoirs, held at the National Maritime Museum, London, the artistic response to the war at sea is analysed in the context of specific focus points such as the major arenas of naval conflict; life on board ships, aircraft carriers and submarines; the experiences of prisoners of war and the response of artists to the commemoration and legacy of key maritime events. Featuring the work of established and lesser known artists, this publication will make an invaluable contribution to war art scholarship while also presenting a little known aspect of a major museum collection.
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Christine Riding is Head of Arts and Curator of the Queen's House. She was previously Curator of Eighteenth- and Nineteenth-century British Art at Tate Britain, and was Deputy Editor of Art History (The Journal of the Association of Art Historians). She is co-author of Turner & The Sea (2013) which was published to accompany a major exhibition at the National Maritime Museum.
Robert J. Blyth is Senior Curator of World and Maritime History, Royal Museums Greenwich, and editor of the Journal for Maritime Research.
Andrew Choong is Curator of Historic Photographs & Ship Plans, Royal Museums Greenwich. He specialises in naval warfare from 1860 to 1945 with particular focus on the Royal Navy, the US Navy and Japan's Teikoku Kaigun.
John Graves is Curator of Ship History, Royal Museums Greenwich, and is an acknowledged expert on British passenger ships and shipping from the steam age to the present day.
Jeremy Michell is Curator of Historic Photographs & Ship Plans, Royal Museums Greenwich. He was Curator of The Last of the Tall Ships exhibition (2009) based on the photographic work of Alan Villiers.
Amy Miller is Curator Emeritus and former Curator of Decorative Arts & Material Culture, Royal Museums Greenwich. She curated Sailor Chic (2007) at the National Maritime Museum and Rozanne Hawksley: War and Memory at the Queen's House (2014).
Melanie Vandenbrouck is Curator of Art, post-1800, Royal Museums Greenwich. She curated War Artists at Sea (2014) in the Queen's House, an exhibition of the National Maritime Museum's collection of art from the First and Second World Wars.
Pieter van der Merwe is the General Editor and Greenwich Curator, Royal Museums Greenwich, and has published on various aspects of maritime history and art, and theatre history. He is on the editorial board of the Mariner's Mirror (Journal of the Society for Nautical Research).
'a timely reminder of forgotten artists who not only recorded historical detail, but also enhanced art in the early part of the 20th century.' Antiques Trade Gazette
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Condition: Used - Very Good. VG hardback. 2015 publication with numerous colour and B&W illustrations; tightly bound in laminated pictorial boards; a very clean, tidy copy. Seller Inventory # BOOKS304066I
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Hardback. Condition: Fine. 1st. First edition hardback, 2015, with no jacket as issued. In overall fine condition. Binding tight and appears almost unopened. Internally clean, no annotation or inscriptions; text and illustrations bright and clear throughout. Photographs available. Not an old library book. Seller Inventory # 230515
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Paperback. Condition: Very Good. While many publications have engaged with the events, artists and poets associated with war fought on land, the cultural history of the war at sea has been neglected. This original book redresses this imbalance by being the first study to focus on the art of war in the first half of the 20th century from a distinctly naval and maritime perspective. Drawing on the first-class collections of paintings, works on paper (including drawings, photography and posters) and archival material, such as private papers, journals and memoirs, held at the National Maritime Museum, London, the artistic response to the war at sea is analysed in the context of specific focus points such as the major arenas of naval conflict; life on board ships, aircraft carriers and submarines; the experiences of prisoners of war and the response of artists to the commemoration and legacy of key maritime events. Featuring the work of established and lesser known artists, this publication will make an invaluable contribution to war art scholarship while also presenting a little known aspect of a major museum collection. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR010547803
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Karton. Zust: Gutes Exemplar. Mit zahlreichen Abbildungen, 208 Seiten, Englisch 1460g. Seller Inventory # 524914
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Hardcover. Condition: New. Twentieth-century war at sea posed problems for artists: gone were the traditional naval confrontations; in modern, long-range battle the enemy could be invisible, in the sky or under the surface. Drawing on the National Maritime Museum's outstanding collection of modern British art, this volume looks at how artists rose to the challenge of depicting the Navy and Merchant Marine at war. With over 160 colour reproductions, it discusses works by artists including Norman Wilkinson, John Everett, Eric Ravilious and Charles Wheeler. Seller Inventory # 508982
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