Biennials: The Exhibitions We Love to Hate examines one of the most significant recent transitions in the contemporary-art world: the proliferation of large-scale international recurrent survey shows of contemporary art, commonly referred to as contemporary biennials. Since the mid-1980s biennials have been instrumental in shaping curating as an autonomous practice. They have also been responsible for substantially reconfiguring the art world and disrupting the existing value chain of the art market, which now relies on biennials as much as it does on major museums’ acquisitions and exhibitions.
At the same time, the arrival of new biennials in various parts of the world has also been associated with some of the most palpable side-effects of globalization. Branded by some critics as dollar-generating leisure events and showcases for highly consumable works of art, biennials have been repeatedly accused of homogenizing artistic and curatorial practices and leading to a certain fatigue. This publication makes an essential contribution to a fascinating cultural debate.
"synopsis" may belong to another edition of this title.
Rafal Niemojewski is Director of the Biennial Foundation, and a scholar of contemporary art and its institutions. He has lectured extensively on the topic of biennials and his writings appeared in numerous journals and books, including The Manifesta Decade (MIT Press, 2006), The Biennial Reader (Hatje Cantz, 2010) and The New Curator (Laurence King, 2016). He worked as an Assistant and Associate Professor at Central Saint Martins, Sotheby’s Institute, Royal Institute of Art (Stockholm), and Course Director at Chelsea College of Art and Design in London.
"About this title" may belong to another edition of this title.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 40961424-n
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: New. Brand New. Seller Inventory # 9781848223882
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. Biennials: The Exhibitions We Love to Hate examines one of the most significant recent transitions in the contemporary-art world: the proliferation of large-scale international recurrent survey shows of contemporary art, commonly referred to as contemporary biennials. Since the mid-1980s biennials have been instrumental in shaping curating as an autonomous practice. They have also been responsible for substantially reconfiguring the art world and disrupting the existing value chain of the art market, which now relies on biennials as much as it does on major museums' acquisitions and exhibitions.At the same time, the arrival of new biennials in various parts of the world has also been associated with some of the most palpable side-effects of globalization. Branded by some critics as dollar-generating leisure events and showcases for highly consumable works of art, biennials have been repeatedly accused of homogenizing artistic and curatorial practices and leading to a certain fatigue. This publication makes an essential contribution to a fascinating cultural debate. Seller Inventory # LU-9781848223882
Quantity: Over 20 available
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. Biennials: The Exhibitions We Love to Hate examines one of the most significant recent transitions in the contemporary-art world: the proliferation of large-scale international recurrent survey shows of contemporary art, commonly referred to as contemporary biennials. Since the mid-1980s biennials have been instrumental in shaping curating as an autonomous practice. They have also been responsible for substantially reconfiguring the art world and disrupting the existing value chain of the art market, which now relies on biennials as much as it does on major museums' acquisitions and exhibitions.At the same time, the arrival of new biennials in various parts of the world has also been associated with some of the most palpable side-effects of globalization. Branded by some critics as dollar-generating leisure events and showcases for highly consumable works of art, biennials have been repeatedly accused of homogenizing artistic and curatorial practices and leading to a certain fatigue. This publication makes an essential contribution to a fascinating cultural debate. Seller Inventory # LU-9781848223882
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 40961424
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # AR-9781848223882
Quantity: 1 available
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. Biennials: The Exhibitions We Love to Hate examines one of the most significant recent transitions in the contemporary-art world: the proliferation of large-scale international recurrent survey shows of contemporary art, commonly referred to as contemporary biennials. Since the mid-1980s biennials have been instrumental in shaping curating as an autonomous practice. They have also been responsible for substantially reconfiguring the art world and disrupting the existing value chain of the art market, which now relies on biennials as much as it does on major museums acquisitions and exhibitions.At the same time, the arrival of new biennials in various parts of the world has also been associated with some of the most palpable side-effects of globalization. Branded by some critics as dollar-generating leisure events and showcases for highly consumable works of art, biennials have been repeatedly accused of homogenizing artistic and curatorial practices and leading to a certain fatigue. This publication makes an essential contribution to a fascinating cultural debate. Biennials: The Exhibitions we Love to Hate offers a critical assessment of the current discussions around the subject of contemporary biennials and how these might be used to illuminate potential new approaches in this area of study. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781848223882
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 144 pages. 7.75x5.25x0.50 inches. In Stock. Seller Inventory # __1848223889
Quantity: 2 available
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Paperback / softback. Condition: New. New copy - Usually dispatched within 3 working days. Seller Inventory # B9781848223882
Quantity: 2 available
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. In. Seller Inventory # ria9781848223882_new
Quantity: Over 20 available