On a moonless night in August, a man brings his new girlfriend to the remote family cabin where he has come for the fly-fishing since he was a boy. But she's not the first woman he has brought here—or indeed the last. A bewitching story from the author of global smash hit Jerusalem.
"synopsis" may belong to another edition of this title.
Jez Butterworth's playwriting debut, Mojo, was staged at the Royal Court in 1995, and was acclaimed as 'one of the most dazzling Royal Court main stage debuts in years' (Time Out (London)). Since then his plays have been premiered at the Royal Court, at the Almeida Theatre and at the Atlantic Theater in New York. Jerusalem ran for two hit seasons in the West End, as well as on Broadway. His films include Birthday Girl, Fair Game and an adaptation of Mojo.
"The River is like a subtly crafted piece of chamber music. It is teasing, haunting and hushed. It is also damnably difficult to write about, as there is a mystery at its heart that I must not reveal." Charles Spencer, Telegraph
FIVE STARS: "One of the best productions of the year... a magnetically eerie, luminously beautiful psychodrama.” Andrzej Lukowski, Time Out (London)
"The River is subtle, sleek and dark. Here is a sense of the mysterious and of kinship with others long gone. It is perhaps about time and eternity, about that spot on the river that, while always the same, is always changing. A wonderful play, glinting and elusive as a fish." -Sarah Hemming, Financial Times
FOUR STARS: Strange, eerie, tense and, on a single viewing, slightly unfathomable. The play kept me on tenterhooks.” Michael Billington, The Guardian
FOUR STARS: Lyrical and tricksy, occasionally droll and ultimately desolating, this intimate three-hander unfolds like a tantalising cross between a piece of deeply felt poetry and a sleight-of-hand puzzle.” Paul Taylor, The Independent
FOUR STARS: Butterworth’s dialogue flips between wryly humorous, naturalistic exchanges and more stylistically heightened passages a disturbing slow burn.” Kate Bassett, The Independent on Sunday
"The River is like a subtly crafted piece of chamber music. It is teasing, haunting and hushed. It is also damnably difficult to write about, as there is a mystery at its heart that I must not reveal." ― Charles Spencer, Telegraph
FIVE STARS: "One of the best productions of the year... a magnetically eerie, luminously beautiful psychodrama.” ― Andrzej Lukowski, Time Out (London)
"The River is subtle, sleek and dark. Here is a sense of the mysterious and of kinship with others long gone. It is perhaps about time and eternity, about that spot on the river that, while always the same, is always changing. A wonderful play, glinting and elusive as a fish." -Sarah Hemming, Financial Times
FOUR STARS: “Strange, eerie, tense and, on a single viewing, slightly unfathomable. The play kept me on tenterhooks.” – Michael Billington, The Guardian
FOUR STARS: “Lyrical and tricksy, occasionally droll and ultimately desolating, this intimate three-hander unfolds like a tantalising cross between a piece of deeply felt poetry and a sleight-of-hand puzzle.” – Paul Taylor, The Independent
FOUR STARS: “Butterworth’s dialogue flips between wryly humorous, naturalistic exchanges and more stylistically heightened passages... a disturbing slow burn.” – Kate Bassett, The Independent on Sunday
"About this title" may belong to another edition of this title.
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