"Marchin' days is over man."
Patience is running out, times have changed.
And progress isn't enough.
Black British. African American.
Here. There.
Now.
"synopsis" may belong to another edition of this title.
debbie tucker green is a playwright, screenwriter and director.
Her plays include: a profoundly affectionate, passionate devotion to someone (-noun) (Royal Court Theatre, 2017); hang (Royal Court, 2015); nut (National Theatre, 2013); truth and reconciliation (Royal Court, 2011); random (Royal Court, 2008); generations (Young Vic, 2007); stoning mary (Royal Court, 2005); trade (RSC, 2005); born bad (Hampstead Theatre, 2003; Olivier Award for Most Promising Newcomer); and dirty butterfly (Soho Theatre, 2003).
She wrote and directed the feature film, Second Coming (BFI/Film 4, 2014; International Film Festival Rotterdam Big Screen Award) and adapted her play random into a TV film for Channel 4, which won the 2012 BAFTA for Best Single Drama and the Black International Film/MVSA Award for Best UK Film.
Her work for radio includes: lament (Radio Academy Arias Gold Award), gone, random, handprint and freefall.
She was awarded the 2015 Windham Campbell Prize for Drama.
"A furious dissection of racial injustice... overwhelming." —Guardian
(2019-03-08)"Piercing and flecked with a grim mischievous humour... debbie tucker green's stylised dialogue is punctuated with the rhythmic precision of a musical score... quietly devastating... an impassioned play about stalled progress." —Independent
(2019-03-08)"An intensely smart piece of theatrecraft. Its three components would make total sense in isolation; together they interact in a subtly devastating dance." —Time Out
(2019-03-08)"An amazingly ambitious epic... has a thrillingly unexpected theatre form and is written in green’s distinctive style of reiterative and repetitive punchy dialogues, which here are both emotionally passionate and imaginatively modernistic... raises your political consciousness while expanding your sense of the beautiful." —The Arts Desk
(2019-03-08)"An insistent, unrelenting cry of protest... brilliantly written and darkly funny... this powerful, challenging drama is an urgent, impatient call for change." —BritishTheatre.com
(2019-03-08)"The thrill of seeing this play by debbie tucker green is partly generated by its passion and partly by its poetry. It is so original, ear and eye-catching... words fly like missiles, beautifully honed, finding their targets, creating a picture of a world where people of colour are constantly suppressed... excruciatingly funny but utterly devastating in its impact." —WhatsOnStage
(2019-03-08)"With ear for eye, debbie tucker green goes further than ever before in breaking down and reconstructing form, creating a complex work of economic eloquence and gestural clarity, uncompromisingly and brilliantly her own. It’s tough, harrowing, and fiercely beautiful." —The Stage
(2019-03-08)"About this title" may belong to another edition of this title.
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