A son once a child warrior in the mujhadeen's struggle against the Soviets, once a Delta Force soldier, now a covert operative in the USA's secret War Against Terror in Pakistan. His name is legend among the tribes of Pashtun. A mother held hostage in the mountain fastness of North West Pakistan. With a long-standing fatwah hanging over her, her execution is a certainty. She knows she can't out-fight her captors, but can she out-think them? A family prepared to do whatever it takes to protect its own, whatever the cost, even if it means unleashing a nightmare that could engulf the world in flames. THE GOOD SON A provocative, high-stakes thriller that moves from the subterranean corridors of Washington DC to the backstreets of Lahore to the high mountains of the Hindu Kush, tackling the collision of Islam and the West head on with a high-octane mixture of CIA and NSA tradecraft, Sharia law and Sufi mysticism.
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Michael Gruber, New York Times bestselling author of The Book of Air and Shadows, The Forgery of Venus, Night of the Jaguar, Tropic of Night, and Valley of Bones, has a PhD in marine sciences and began freelance writing while working in Washington, D.C., as a policy analyst and speech writer. Since 1990, he has been a full-time writer. He lives in Seattle, Washington.
*Starred Review* Gruber’s last two novels were about a forged Velázquez painting and an undiscovered Shakespeare play. Readers considering this one may wonder how well an author of art-historical thrillers will handle collisions between East and West, faith and unbelief, and Islam and Christianity. Those who have read it will ask a different question: Is there anything Gruber can’t write about? In this richly layered tale, Sonia Laghari’s attempt to convene a conference in Pakistan called “Conflict Resolution on the Subcontinent: A Therapeutic Approach” goes awry when the conferees are abducted by jihadis and told that one of them will be beheaded after each fresh infidel outrage. In the U.S., Sonia’s commando son, Theo, instigates a plot to bring about a military-backed rescue. But Sonia, with her wiles and her understanding of her captors, just might rescue herself. That’s the simple outline, but one of many pleasures in The Good Son is the way Gruber confounds simple explanations. Sonia, for example, is a Catholic Pole who converted to Islam before writing books that scandalized the Islamic world. She practices both religions without compunction and is a Jungian psychologist, to boot. And, before he became a shooter for the U.S. Intelligence Support Detachment, Theo was a mujahedeen hero in Afghanistan. (Trust us, it works.) The pace here isn’t as rapid as usual, and much of the story is told in flashback or as discourse. But there are twists and tension aplenty—ideas, too. If only governments were half as interested in the psychology of violence, maybe war itself might become a work of fiction. --Keir Graff
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