Descent Into Hell is a novel written by Charles Williams, first published in 1937. Williams wrote a series of novels which combine elements of fantasy fiction and Christian symbolism. Forgoing the detective fiction style of most of his earlier supernatural novels, most of the story's action is spiritual or psychological in nature. It fits the "theological thriller" description sometimes given to his works...
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In Charles Williams's novel Descent into Hell, Hell turns out to be nothing other than a refusal to see things as they really are. Arguably his finest novel, the "descent" in the title happens to an ordinary (if extraordinarily selfish) historian named Wentworth, whose daily choices to cheat on the truth slowly but surely lead him into a terrifying state of isolation and egotism. Heaven, by contrast, is increasingly inhabited by the novel's heroine, Pauline Anstruther, who as the book proceeds learns to face her fears (and her ancestors!) and to love the truth exactly as it is. The plot turns around the latest production of fictional playwright Peter Stanhope, but for Williams Pauline's realization of the divine glory incarnate in all of life is the deeper truth that sustains this and every other drama. --Doug Thorpe
Charles Walter Stansby Williams (1886 –1945) was a British poet, novelist, playwright, theologian, literary critic, and member of the Inklings. Williams was born in London in 1886, the only son of (Richard) Walter Stansby Williams (1848-1929), a journalist and foreign business correspondent (for an importing firm, writing in French and German), who was a 'regular and valued' contributor of verse, stories and articles to many popular magazines, and his wife Mary, a former milliner, of Islington. He continued to work at the OUP in various positions of increasing responsibility until his death in 1945. One of his greatest editorial achievements was the publication of the first major English-language edition of the works of Søren Kierkegaard. Although chiefly remembered as a novelist, Williams also published poetry, works of literary criticism, theology, drama, history, biography, and a voluminous number of book reviews. Some of his best known novels are War in Heaven (1930), Descent into Hell (1937), and All Hallows' Eve (1945). T. S. Eliot, who wrote an introduction for the last of these, described Williams's novels as "supernatural thrillers" because they explore the sacramental intersection of the physical with the spiritual while also examining the ways in which power, even spiritual power, can corrupt as well as sanctify. All of Williams's fantasies, unlike those of J. R. R. Tolkien and most of those of C. S. Lewis, are set in the contemporary world. Williams has been described byColin Manlove as one of the three main writers of "Christian fantasy" in the twentieth century (the other two being C. S. Lewis and T. F. Powys). More recent writers of fantasy novels with contemporary settings, notably Tim Powers, cite Williams as a model and inspiration. NOVELS: · 1930: War in Heaven (London: Victor Gollancz) · 1930: Many Dimensions (London: Victor Gollancz) · 1931: The Place of the Lion (London: Mundanus) · 1932: The Greater Trumps (London: Victor Gollancz) · 1933: Shadows of Ecstasy (London: Victor Gollancz) · 1937: Descent into Hell (London: Faber & Faber) · 1945: All Hallows' Eve (London: Faber & Faber) · 1970–72: The Noises That Weren’t There. Unfinished. First three chapters published in Mythlore 6 (Autumn 1970), 7 (Winter 1971) and 8 (Winter 1972).
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