Little Girl Blue is an intimate profile of Karen Carpenter, a girl from a modest Connecticut upbringing who became a Southern California Superstar. Karen was the instantly recognisable lead singer of the Carpenters. The top-selling American musical act of the 1970s, they delivered the love songs that defined a generation. Karen's velvety voice on a string of 16 consecutive Top 20 hits from 1970 to 1976 - including Close to YouA", We've Only Just BegunA", Rainy Days and MondaysA", SuperstarA", and Hurting Each OtherA" - propelled the duo to worldwide stardom and record sales of over 100 million. Karen's musical career was short - only 13 years. During that time, the Carpenters released 10 studio albums, toured more than 200 days a year, taped five television specials, and won three Grammys and an American Music Award. But that's only part of Karen's story. As the world received news of her death at 32 years of age in 1983, she became the proverbial poster child for anorexia nervosa. Little Girl Blue is her definitive biography, based on exclusive interviews with nearly 100 friends and associates, including record producers, studio musicians, songwriters, television directors, photographers, radio personalities, classmates, childhood friends, neighbors, personal assistants, romantic interests, hairdressers, and housekeepers.
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Randy L. Schmidt teaches music in the Dallas/Fort Worth area. He compiled and edited Yesterday Once More: Memories of the Carpenters and Their Music and served as creative consultant for several television documentaries on the Carpenters, including E!'s True Hollywood Story, A&E's Biography, and VH1's Behind the Music.
From the beginning, Richard, not Karen, was the talented musician whose parents moved across the country for a better career. Karen dabbled in music and tagged along on gigs, but it would be years before her show-stopping voice commanded the spotlight. And that shift, when the forgotten little sister became star of the act, Schmidt argues, marked the beginning of Karen's deadly, lifelong struggle with weight. Schmidt tracks the anxieties that seem to have driven her eating disorder, including a controlling mother and the lack of a stable love life. After the failure of her first solo effort, Karen made a bid for happiness with the dashing Tom Burris that would prove short-lived; he was only interested in her money. This was one setback too many for the gifted singer, and by 1983 she was dead, at 32. The self-destructive pressures of celebrity make for a familiar narrative, but Schmidt treats Karen's death not as an inevitability, but a tragedy that built slowly. His sympathies for the star border on fawning, but the copious research and quick-moving narration make this a volume that die-hard Carpenters fans and casual listeners alike will find interesting.
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