About the Author:
STEPHEN DAVIES lives with his wife and two baby daughters amongst Fulani herders in West Africa, but regularly spends several months of the year in the UK. He speaks Fulfulde, accompanies cattle-drives, and has been involved in the set-up of a Fulfulde radio station. He also writes for the Guardian Weekly (Letters from Burkina Faso) and occasionally for the Sunday Times.
CHRISTOPHER CORR was born in London and studied at The Royal College of Art. He has worked on numerous commissions including a Royal Mail millennium stamp about the UN Peace-keeping Force in Bosnia. He has also painted posters and cards and other materials for London Transport, National Aids Trust, Body Shop, Habitat and Ikea, UNICEF, Kensington & Chelsea Healthcare Authority, and Waterstones. His round the world travels provide the inspiration for his work.
From School Library Journal:
PreS-Gr 2–Penda's father is in the grasslands tending the sheep, and the child is taking him a bowl of milk for his lunch. Carefully she carries it on her head past a herd of giraffes, a lively rainy-season mask dance, and over the River Niger via fishing boat, without spilling a drop. When she finds her father sitting under a mango tree, a ripe fruit falls into the bowl and the milk splashes out. Penda is sad, but her father convinces her that all is well–“This bowl was full of love, girl, and it still is”–and they then share the fruit for lunch. This family story shines due to Corr's brightly painted folk-art illustrations. The village in Niger, the villagers, and Penda's journey are patterned with blocks of thick color, stripes, dots, swirls, and the feel of African sunshine. A warm, reassuring tale for storytimes and units on family.–Angela J. Reynolds, Annapolis Valley Regional Library, Bridgetown, NS, Canadaα(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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