Title: Marlene Dumas( The Image as Burden) <>Binding: Paperback <>Author: LeontineCoelewij <>Publisher: Tate/D.A.P.
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A catalogue of intense, psychologically-charged paintings, which mix art history with popular culture and current affairs. (Victoria Sadler Huffington Post)
The accompanying catalog―edited by the exhibition curators Leontine Coelewij of the Stedelijk Museum, Helen Sainsbury of Tate Modern and Theodora Vischer of the Fondation Beyeler―is a necessity. It contains many additional images and a large selection of Ms. Dumas’s oblique, witty, deeply engaging writings. (Karen Wilkin The Wall Street Journal)
The Image as a Burden, published on the occasion for her current European retrospective, surveys her career from her student work of the early 70's through the ongoing series Great Men. Commentary by scholars and friends accompanies Dumas's own reflections and poems, and a detailed time line runs through the margins. Here, very personal developments are charted alongside world events-watershed moments in the art world and the apartheid state alike-lending the book an unexpected and great scrapbook intimacy. (Johanna Fateman Bookforum)
One of the most provocative painters of the human form, the South African–born artist Marlene Dumas doesn’t match the stereotype of artist as solitary genius. Her way is chaotic, more responsive and uncertain ― and that is her brilliance.
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Stiff Wrappers. Condition: Fine Condition. 191 pages 146 illustrations in color. Director's Foreword by Chris Dercon, Sam Keller, and Karin van Gilst and Beatrix Ruf. Curator's Foreword by Leontine Coelewij, Kerryn Greenberg, Helen Sainsbury and Theodora Vischer. Stiff Illustrated wraps. Published on the occasion of the exhibition from the Fondation Beyeler, Basel 30 May-15 September 2015. List of Exhibitions and Illustrated Works. Seller Inventory # 018459
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