Items related to Jackson Pollock: Blind Spots
Synopsis
Blind Spots Jackson Pollock
"synopsis" may belong to another edition of this title.
- PublisherTate Gallery Pubn
- Publication date2015
- ISBN 10 1849763321
- ISBN 13 9781849763325
- BindingPaperback
- LanguageEnglish
- Number of pages160
- EditorDelahunty Gavin
- Rating
Search results for Jackson Pollock: Blind Spots
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Jackson Pollock Blindspots
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Seller rating 5 out of 5 stars
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR007248699
Quantity: 2 available
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Jackson Pollock: Blindspots
Published by
Tate Publishing, Limited, 2015
ISBN 10: 1849763321
ISBN 13: 9781849763325
Used
Softcover
Seller: Better World Books Ltd, Dunfermline, United Kingdom
Seller rating 5 out of 5 stars
Condition: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Seller Inventory # 52086909-20
Quantity: 1 available
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Jackson Pollock - Blind Spots
Seller: DIAMOND HOLLOW BOOKS / MILES BELLAMY, ANDES, NY, U.S.A.
Seller rating 4 out of 5 stars
Softcover. Condition: VG-. Softcover, 160 pages, tight and internally clean, slightly out of square and with darkened edges & faint edge-wear. Seller Inventory # 2673
Quantity: 1 available
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Jackson Pollock: Blindspots (Paperback)
Seller: Grand Eagle Retail, Fairfield, OH, U.S.A.
Seller rating 5 out of 5 stars
Paperback. Condition: new. Paperback. This large-format overview of the work of John Heartfield draws on the superlative collections of the Academie der Kunst, Berlin, and the David King collection at Tate Modern. Born in Berlin in 1891, Heartfield, along with George Grosz, is widely considered to have invented photomontage, a technique of cutting up and manipulating photographs. During the 1930s Heartfield's engagement with this medium produced some of the most visually arresting and politically hard-hitting artwork of the twentieth century, appropriating the widely-circulated propaganda of the time to create its total antithesis. John Heartfield began his career as a graphic designer for his brother's legendary publishing house Malik Verlag, at which time he also joined the German Communist Party for whom he created many satirical posters. However, his pre-eminence in photomontage was confirmed by the work he produced for the Communist weekly AIZ and Volks Illustrierte, creating 237 photomontages between 1930 and 1937. In his own words, he used 'laughter as a devastating weapon' to target the Nazi regime of violence and demagogy, but this in turn made he himself a target for Nazi scorn and censorship. In 1933 much of his work was destroyed when the Gestapo ransacked his studio, and the ensuing years saw him flee in exile around Europe where he continued to produce his brilliantly terrifying images. With an essay written by the author in his own inimitable style, the book includes over 150 full-colour reproductions of Heartfield's beautiful and powerful work, both in its original and printed forms, as well as documentary photographs and recollections from Heartfield's surviving family members. This large-format overview of the work of John Heartfield draws on the superlative collections of the Academie der Kunst, Berlin, and the David King collection at Tate Modern. Born in Berlin in 1891, Heartfield, along with George Grosz, is widely considered to have invented photomontage, a technique of cutting up and manipulating photographs. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781849763325
Quantity: 1 available
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Jackson Pollock: Blind Spots
Seller: ANARTIST, New York, NY, U.S.A.
Seller rating 5 out of 5 stars
Softcover, 160 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. Seller Inventory # JaPoTa35.1
Quantity: 1 available
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Blind Spots Jackson Pollock
Seller: The Secret Book and Record Store, Dublin, DUB, Ireland
Seller rating 5 out of 5 stars
Soft cover. Condition: Very Good. Previous price sticker on the back; corners and edges are bumped, text block is slightly stained, otherwise in very good condition. Seller Inventory # 8788
Quantity: 1 available
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Jackson Pollock : Blind Spots
Seller: Exquisite Corpse Booksellers, Houston, TX, U.S.A.
Seller rating 5 out of 5 stars
Wrappers. Condition: Near Fine. 160 pages. Paperback exhibition catalogue, bound in stiff illustrated paper covers. Texts in English. Mild shelfwear to the edges. Else, the binding is tight, the spine uncreased, and interior clean and free of markings. Published on the occasion of the exhibition held from June 30-October 18, 2015 in Liverpool, and subsequently in Dallas from November 20, 2015-March 20, 2016. Seller Inventory # 022213
Quantity: 1 available
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Jackson Pollock: Blind Spots
Seller: MostlyAcademic, Berrima, NSW, Australia
Seller rating 3 out of 5 stars
Soft cover. Condition: Very Good. Seller Inventory # ABE-1737869379792
Quantity: 1 available
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Jackson Pollock: Blindspots (Paperback)
Seller: AussieBookSeller, Truganina, VIC, Australia
Seller rating 3 out of 5 stars
Paperback. Condition: new. Paperback. This large-format overview of the work of John Heartfield draws on the superlative collections of the Academie der Kunst, Berlin, and the David King collection at Tate Modern. Born in Berlin in 1891, Heartfield, along with George Grosz, is widely considered to have invented photomontage, a technique of cutting up and manipulating photographs. During the 1930s Heartfield's engagement with this medium produced some of the most visually arresting and politically hard-hitting artwork of the twentieth century, appropriating the widely-circulated propaganda of the time to create its total antithesis. John Heartfield began his career as a graphic designer for his brother's legendary publishing house Malik Verlag, at which time he also joined the German Communist Party for whom he created many satirical posters. However, his pre-eminence in photomontage was confirmed by the work he produced for the Communist weekly AIZ and Volks Illustrierte, creating 237 photomontages between 1930 and 1937. In his own words, he used 'laughter as a devastating weapon' to target the Nazi regime of violence and demagogy, but this in turn made he himself a target for Nazi scorn and censorship. In 1933 much of his work was destroyed when the Gestapo ransacked his studio, and the ensuing years saw him flee in exile around Europe where he continued to produce his brilliantly terrifying images. With an essay written by the author in his own inimitable style, the book includes over 150 full-colour reproductions of Heartfield's beautiful and powerful work, both in its original and printed forms, as well as documentary photographs and recollections from Heartfield's surviving family members. This large-format overview of the work of John Heartfield draws on the superlative collections of the Academie der Kunst, Berlin, and the David King collection at Tate Modern. Born in Berlin in 1891, Heartfield, along with George Grosz, is widely considered to have invented photomontage, a technique of cutting up and manipulating photographs. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9781849763325
Quantity: 1 available
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Jackson Pollock: Blindspots (Paperback)
Seller: CitiRetail, Stevenage, United Kingdom
Seller rating 5 out of 5 stars
Paperback. Condition: new. Paperback. This large-format overview of the work of John Heartfield draws on the superlative collections of the Academie der Kunst, Berlin, and the David King collection at Tate Modern. Born in Berlin in 1891, Heartfield, along with George Grosz, is widely considered to have invented photomontage, a technique of cutting up and manipulating photographs. During the 1930s Heartfield's engagement with this medium produced some of the most visually arresting and politically hard-hitting artwork of the twentieth century, appropriating the widely-circulated propaganda of the time to create its total antithesis. John Heartfield began his career as a graphic designer for his brother's legendary publishing house Malik Verlag, at which time he also joined the German Communist Party for whom he created many satirical posters. However, his pre-eminence in photomontage was confirmed by the work he produced for the Communist weekly AIZ and Volks Illustrierte, creating 237 photomontages between 1930 and 1937. In his own words, he used 'laughter as a devastating weapon' to target the Nazi regime of violence and demagogy, but this in turn made he himself a target for Nazi scorn and censorship. In 1933 much of his work was destroyed when the Gestapo ransacked his studio, and the ensuing years saw him flee in exile around Europe where he continued to produce his brilliantly terrifying images. With an essay written by the author in his own inimitable style, the book includes over 150 full-colour reproductions of Heartfield's beautiful and powerful work, both in its original and printed forms, as well as documentary photographs and recollections from Heartfield's surviving family members. This large-format overview of the work of John Heartfield draws on the superlative collections of the Academie der Kunst, Berlin, and the David King collection at Tate Modern. Born in Berlin in 1891, Heartfield, along with George Grosz, is widely considered to have invented photomontage, a technique of cutting up and manipulating photographs. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781849763325
Quantity: 1 available