David Constantine is one the finest poets writing in English. His poetry stands outside the current literary climate, and like the work of the European poets who have nourished him, it is informed by a profoundly humane vision of the world. Its mood is often one of unease, elegiac or comically edged, barbed with pain or tinged with pleasure. His poems hold a worried and restless balance between celebration and anxiety, restraint and longing. His Collected Poems spans three decades, including work from seven previous titles and two limited editions, as well as a whole collection of new poems. ""A superb writer on myth, middle age and marital love; a maker of odes and elegies in ancient style; a poet of seascapes and cityscapes; a taker of romantic risks: this English poet shows all his talents in this important collection.""-Publishers Weekly
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David Constantine is a renowned translator, winner of the european poetry translation Award. He has a visiting professorship at Liverpool University in 2004-05. He is likely to be requested for a number of events this year including a big launch reading at Aldeburgh poetry festival.
A superb writer on myth, middle age and marital love; a maker of odes and elegies in ancient style; a poet of seascapes and cityscapes; a taker of romantic risks: this English poet shows all his talents in this important (and bulky) collection, which folds in most or all of eight previous books, from A Brightness to Cast Shadows (1980) through Something for the Ghosts (2002). Constantine's vivid sentences (many in, or near, blank verse) can encompass panoramic descriptions, but also contract into self- sufficient simplicity: "I should not be dreaming of you like this," one poem begins; another, more painful, ends "Everything whirls in luck, the bad, the good." The collection also includes Caspar Hauser, Constantine's 1994 book-length poem about the mysterious German boy imprisoned throughout his childhood, who became a popular wonder once freed. Constantine (who taught for years at Oxford) has a considerable reputation as a translator and scholar of German literature, and his knowledge in those fields comes to good use. More openly emotional, even more daring, than other Britons of his generation, Constantine should please many fans of Seamus Heaney, or of Derek Walcott. Overseas, some call him a poet's poet; Americans can now see if they agree. (June)
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