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Synopsis

Pride and Prejudice by Jane Austen
"It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife."
So begins Pride and Prejudice, Jane Austen's perfect comedy of manners--one of the most popular novels of all time--that features splendidly civilized sparring between the proud Mr. Darcy and the prejudiced Elizabeth Bennet as they play out their spirited courtship in a series of eighteenth-century drawing-room intrigues. "Pride and Prejudice seems as vital today as ever, " writes Anna Quindlen in her introduction to this Modern Library edition. "It is a pure joy to read." Eudora Welty agrees: "The gaiety is unextinguished, the irony has kept its bite, the reasoning is still sweet, the sparkle undiminished. [It is] irresistible and as nearly flawless as any fiction could be."
This volume is the companion to the BBC television series, a lavish production aired on the Arts and Entertainment Network.
The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hard-bound editions of important works of liter-ature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inau-gurating a new program of selecting titles. The ModernLibrary continues to provide the world's best books, at the best prices.

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About the Author

Jane Austen, seventh of the eight children of Reverend George and Cassandra Leigh Austen, was born on December 16, 1775, in the small village of Steventon in Hampshire, England. Her childhood was happy: her home was full of books and many friends and her parents encouraged both their children's intellectual interests and their passion for producing and performing in amateur theatricals. Austen's closest relationship, one that would endure throughout her life, was with her beloved only sister, Cassandra.

From about the time she was twelve years old, Austen began writing spirited parodies of the popular Gothic and sentimental fiction of the day for the amusement of her family. Chock-full of stock characters, vapid and virtuous heroines, and improbable coincidences, these early works reveal in nascent form many of her literary gifts: particularly her ironic sensibility, wit, and gift for comedy. Attempts at more sustained, serious works began around 1794 with a novel in letters - a popular form at the time - called Lady Susan, and in the years immediately following with two more epistolary novels - one called Elinor and Marianne, the other First Impressions - that would evolve into Sense and Sensibility and Pride and Prejudice. Lady Susan, later revised and entitled Northanger Abbey, also was begun in that period.

Her revised version of Elinor and Marianne - Sense and Sensibility - was published, like all the work which appeared in print in her lifetime, anonymously, in 1811. Emma appeared in 1816 and was reviewed favorably by the most popular novelist of the day, Sir Walter Scott. Scott insightfully pointed out Emma's significance in representing the emergence of a new kind of novel, one concerned with the texture of ordinary life.

Though all her novels were concerned with courtship, love, and marriage, Austen never married. There is some evidence that she had several flirtations with eligible men in her early twenties, and speculation that in 1802 she agreed to marry the heir of a Hampshire family but then changed her mind. Austen rigorously guarded her privacy, and after her death, her family censored and destroyed many of her letters. Little is known of her personal experience or her favorite subjects. However, Austen's reputation as a "dowdy bluestocking," as literary critic Ronald Blythe points out, is far from accurate: "she loved balls, cards, wine, music, country walks, conversation, children, and bad as well as excellent novels."

In 1816, as she worked to complete her novel Persuasion, Austen's health began to fail. She continued to work, preparing Northanger Abbey for publication, and began a light-hearted, satirical work called Sanditon which she never finished. She died at the age of forty-two on July 18, 1817, in the arms of her beloved sister, Cassandra, of what historians now believe to have been Addison's disease.

The identity of "A Lady" who wrote the popular novels was known in her lifetime only to her family and a few elite readers, among them the Prince Regent, who invited Austen to visit his library and "permitted" her to dedicate Emma to him (unaware, no doubt, that she loathed him). But Austen deliberately avoided literary circles; in Ronald Blythe's words, "literature, not the literary life, was always her intention." It was not until the December following her death, when Northanger Abbey and Persuasion were published, that "a biographical notice of the author" by Austen's brother Henry appeared in the books, revealing to the reading public for the first time the name of Jane Austen.

From the Back Cover

Of all Jane Austen's books, Pride and Prejudice has earned a special place in the hearts of the reading public as her best-loved and most intimately known novel. From its famous opening sentence the story of the Bennet family and of the novel's two protagonists, Elizabeth and Darcy, told with a wit that its author feared might prove 'rather too light and bright, and sparkling', delights its most familiar readers as thoroughly as it does those who encounter it for the first time. Jane Austen's artistry is apparent, too, in the delineation of the minor characters: the ill-matched Mr. and Mrs. Bennet, Charles Bingley and his sisters, and above all the fatuous Mr. Collins, whose proposal to Elizabeth Bennet is one of the finest comic passages in English literature. And while she entertains us, Jane Austen teaches us the wisdom of balance, the folly of 'pride' and 'prejudice'.

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