Known as the "painter of white paintings", the American Robert Ryman is one of the foremost abstract artists of his generation. Catalogue entries for 81 works draw extensively on interviews with the artist. A detailed chronology places Ryman's work in the context of his major contemporaries.
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Robert Ryman is a nonfigurative artist who makes white paintings. One might think, upon a cursory examination of these works, that Ryman was an academic type, fond of the rhetoric of abstraction. But Ryman is self-taught, self-effacing, and rather romantic. Storr, a curator at the Museum of Modern Art, summarizes Ryman's quiet life and elucidates his passionate but methodical approach to painting with consummate narrative skills, supporting his commentary with excerpts from numerous interviews with the artist and, of course, a superb set of, yes, colorplates. Ryman's first medium was music. A bebop saxophone player, he took a day job as a guard at the Museum of Modern Art and scrutinized the masters for seven years until, suddenly, in 1953, he began to paint. He's been at it ever since. Ryman chose, early on, to work within strict limitations, hence the white paint, and has devoted himself to seeing "what visual riches can be coaxed from such slender means," a mission not unlike the improvisations of jazz. Curiously, like many jazz musicians of his generation, his work has been more highly regarded in Europe than in America, but a major traveling retrospective exhibition, and this fine volume, will increase his visibility and earn him the recognition he deserves. Donna Seaman
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Seller: art longwood books, Gloucester, MA, U.S.A.
Soft Cover. Condition: Near Fine. First Softcover Edition. soft cover, folded card-covers. some faint margin toning.no other flaws or wear - clean, no writing/markings.no bumps, tears. strong sewn binding; english text. 236pp., 126 illustrations, including 81 color plates., catalogue contributions by catherine kinley, lynn zelevansky, linda norden. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue. Seller Inventory # 25754
Seller: Antiquariat Kelifer, Flensburg, Germany
Condition: Gut. Frontispiz, 236 S., zahlr. Ill. Buchrücken mit leichter Lesefalte. Sonst guter Gesamtzustand. Beiliegend 2 Flyer zum Thema und 1 Eintrittskarte der Tate Gallery zur Ausstellung von Robert Ryman. Sprache: Englisch Gewicht in Gramm: 1320 Lex. 8° (=25-30cm), Englische Broschur. Seller Inventory # 48978
Quantity: 1 available
Seller: Midway Book Store (ABAA), St. Paul, MN, U.S.A.
softcover. Condition: near fine. Quarto. 12" x 9". Softcover.236pp. 126 illustrations (including 81 colour plates). Exhibtiion catalogue. Yellowing to page edges. Seller Inventory # 79944
Seller: Glands of Destiny First Edition Books, Sedro Woolley, WA, U.S.A.
paperback. Condition: As New. First Paperback Edition. Publisher: Tate Gallery, London, 1993. FINE softcover in illustrated French wraps, as issued. First Softcover Edition, Printing Unstated. Previous owner's artistic, yet somewhat asinine, embossed stamp at bottom of half title page, otherwise as new. Seller Inventory # 2404100021
Seller: Orca Knowledge Systems, Inc., Novato, CA, U.S.A.
paperback. Condition: Very Good. First Edition. Lightly read if read at all. No markings in book. Binding is fine. 236pp. Seller Inventory # mon0000032159
Seller: Lost Books, AUSTIN, TX, U.S.A.
Trade paperback. Illustrated. Trade paperback (US). 236 p. Contains: Illustrations. Audience: General/trade. Very good. Light wear to cover and corners. Text unmarked with clean pages. Seller Inventory # Alibris.0015931
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
236 pp.; 30.3 x 23.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Tate Gallery, London, February 17 - April 25, 1993. Traveled to: Museo Nacional Centro de Arte Reina Sofia, Madrid, May 25 - August 16, 1993; The Museum of Modern Art, New York, September 22, 1993 - January 4, 1994; Museum of Modern Art, San Francisco, February 3 - April 17, 1994 and Walker Art Center, Minneapolis, July 23 - October 2, 1994. Curated and with an essay by Robert Storr. Includes catalogue entries by Catherine Kinley and Lynn Zelevansky with additional research by Linda Norden. Chronology by Lynn Zelevansky. Includes bibliography, a list of one-person exhibitions, and a glossary of technical terms. Very Good. Very light cover wear. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges may be required for this title. Seller Inventory # 37072
Seller: DeckleEdge LLC, Albuquerque, NM, U.S.A.
paperback. Condition: new. Seller Inventory # Shelfdream1854371142
Seller: BennettBooksLtd, Los Angeles, CA, U.S.A.
paperback. Condition: New. In shrink wrap. Looks like an interesting title! Seller Inventory # Q-1854371142
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 236 pages; very good condition; light crease to spine; pages lightly yellowed at edges; no internal marks. Foreign shipping may be extra. Seller Inventory # RoRyMu200