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Synopsis
A catalog to an exhibition that explores the influence of English painting on French art in the nineteenth century.
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About the Author
Patrick Noon has been the Patrick and Aimee Butler Curator of Paintings and Modern Sculpture at the Minneapolis Institute of Arts since 1997. His publications include, most recently, studies of the Romantic painters Richard Parkes Bonington and William Blake.
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Crossing the Channel: British and French Painting in the Age of Romanticism
Seller: HPB-Diamond, Dallas, TX, U.S.A.
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paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_461139943
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Crossing the Channel: British and French Painting in the Age of Romanticism
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
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Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G1854374591I4N00
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Crossing the Channel: British and French Painting in the Age of Romanticism
Seller: Wonder Book, Frederick, MD, U.S.A.
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Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. Seller Inventory # W02A-03045
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Constable to Delacroix: British Art and the French Romantics 1820-1840
Published by
Tate Publishing, United Kingdom, London, 2003
ISBN 10: 1854374591
ISBN 13: 9781854374592
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Paperback
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
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Paperback. Condition: Very Good. This catalogue accompanies the Spring 2003 exhibition at Tate Britain. After years of cultural standoff, the period of High Romanticism was one of fervent artistic exchange between France and Britain. In the aftermath of Waterloo, British artists contributed regularly to Paris Salon, shared studios with French artists, collaborated with Parisian print publishers and established themselves as drawing masters to the French aristocracy. Artists from both countries criss-crossed the channel. Key themes emerged between the artists of the two nations: landscape; literature; history; portraiture; and painting in watercolour. These themes are explored, illustrated by many of the acknowledged masterpieces of Romantic painting including Constable, Corot, Delacroix, Gericault, Ingres Turner, Vernet and Wilke. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR003846601
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Constable to Delacroix
Published by
Tate Publishing, Limited, 2003
ISBN 10: 1854374591
ISBN 13: 9781854374592
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Softcover
Seller: Better World Books Ltd, Dunfermline, United Kingdom
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Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # GRP63573084
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Crossing the Channel: British and French Painting in the Age of Romanticism
ISBN 10: 1854374591
ISBN 13: 9781854374592
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Trade Paperback
First Edition
Seller: Don's Book Store, Albuquerque, NM, U.S.A.
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Trade Paperback. Condition: Very Good. First Edition. 290 Pages Indexed. Nice condition with a nearly flawless interior text and illustration pages. The Exhibition began at Tate Britain, London and ran 5 February - May 2003. Then touring to The Minneapolis Institute of Arts, Minneaolis 8 June - 7 September 2003. The exhibition was at The Metropolitan Museum of Art, New York 7 October 2003 to 4 January 2004. This exhibition explores the extraordinary network of cultural interchange that developed between Britain and France in the three or so decades following the end, in 1815, of their long war - a conflict which had raged with only occasional respites since the early 1790s. Sustained hostility in politics was to give way to mutual admiration in the arts. Focusing primarily on painting, the exhibition traces both the impact of French Romanticism on British art, including through the sensational display in London of Theodore Cericault's Raft of the Medusa in 1820. (See Cover). Perhaps the range and force of Britain's cultural impact on France in these years will come as some surprise. Though Lord Byron's literary influence on Eugene Delacroix is well known, the prodigious consumption of Walter Scott in France may be less understood; and while John Constable's success at the Paris Salon exhibition of 1824, and his admiration by Delacroix, forms part of our standard histories of British art. The web of connections and its expression through French landscape painting through the 1830s and beyond, may prove to be one of this exhibition's most significant revelations. Though there had certainly been moments of productive cross-channel interchange in the previous century, they were readily undermined by political tensions and usually short-lived. The kind of sustained cultural dialogue surveyed by this exhibition was unprecedented and would furnish a model for subsequent generations. Seller Inventory # 21525
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Crossing the Channel: British and French Painting in the Age of Romanticism
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
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Paperback. Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized. Standard-sized. Seller Inventory # mon0000020886
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Crossing the Channel: British and French Painting in the Age of Romanticism
Published by
Tate Publishing 6/1/2003, 2003
ISBN 10: 1854374591
ISBN 13: 9781854374592
Used
Paperback
Seller: Mahler Books, PFLUGERVILLE, TX, U.S.A.
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Paperback. Condition: Very Good. 2 This book is in very good condition; no remainder marks. It does have some shelfwear. Inside pages are clean. Seller Inventory # 080707-10-151
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Crossing the Channel: British and French Painting in the Age of Romanticism
Published by
Tate Publishing, London, 2003
ISBN 10: 1854374591
ISBN 13: 9781854374592
Used
Paperback
First Edition
Seller: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Seller rating 5 out of 5 stars
Paperback. Condition: Near Fine. 1st. 296 pages, illustrations (chiefly colour) 31 cm. Published on the occasion of the exhibition at Tate Britain, London, 5 February to 11 May 2003; and other venues. Near fine. Firm binding, clean inside copy. Light edgewear to wraps. First paperback edition. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Profusely illustrated. *** CONTENTS: Colour and effect: Anglo-French painting in London and Paris, by Patrick Noon; Print culture and the illustration of history: an Anglo-French perspective, by Stephen Bann; Chronology, by Rachel Meredith. Size: 4to. Seller Inventory # 110433
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Constable to Delacroix: British Art and the French Romantics.; (Exhibition publication)
Seller: J. HOOD, BOOKSELLERS, ABAA/ILAB, Baldwin City, KS, U.S.A.
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Paperback. Size: 9.25"X11.75", 296PP., 190 colour illusrations. Near new, fresh unused condition, covers bright, text clean & binding tight. Seller Inventory # 222664