Bridget Riley is one of Britain's most celebrated artists, and her career has been distinguished by a series of remarkable innovations. She first attracted critical attention with the dazzling black-and-white paintings she began to make in 1961. Her participation in the seminal exhibition The Responsive Eye at the Museum of Modern Art, New York, in 1965 and her triumph at the Venice Biennale in 1968 - when she became the first living British painter to win the International Prize for painting - established her as an artist of the first rank.
Bridget Riley surveys the artist's entire career and includes key examples of all phases of her work. It offers the opportunity both to review many early, celebrated paintings and to see these afresh in the context of recent works in which light, colour, movement and space are drawn into fresh and unexpected relationships. Numerous preparatory working studies are reproduced to illuminate the artist's complex and fascinating working processes.
Essays from Paul Moorhouse, Richard Shiff and Robert Kudielka provide an overview of her art and career, along with new insights into the relation of Riley's work to theories of aesthetics and perception.
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About the Author:
Paul Moorhouse is a collections curator at Tate and the author of numerous books and exhibition catalogues. Robert Kudielka is professor of aesthetics and philosophy of art at Berlin's University of the Arts. Richard Shiff is professor of art, University of Texas, and the author of numerous critical studies.
Review:
"No painter, dead or alive, has ever made us more aware of our eyes than Bridget Riley."
"About this title" may belong to another edition of this title.
- PublisherTate
- Publication date2003
- ISBN 10 1854374923
- ISBN 13 9781854374929
- BindingHardcover
- Edition number1
- Number of pages244
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