Live art is one of the most controversial and hotly discussed areas of creative practice to emerge in the second half of the 20th century. No longer at the margins of cultural production and recognition, performance is now a common occurrence in major art institutions. Here, leading artists and thinkers assess the relevance of live art and its impact within the visual arts and the broader cultural sphere. Hugo Glendinning’s stunning color photographs of performance events are combined with essays examining the political, philosophical, and cultural resonances of the work of a diverse range of live artists, both historical and contemporary. Accessible, critically astute, and expansive, Live is an indispensable resource.
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Adrian Heathfield is a writer and curator. He is professor of performance and visual culture at the University of Roehampton, London.
...an excellent illustration of performance art's ability to engage its audience directly, to inspire the audience to search its own thoughts and feelings, and, in so doing, to complete the work that the artist began.
–Library Journal
Live presents a thought-tweaking array of work by a variety of artists. Every page raises questions on the direction of art, ethical use of children, animals, and wet ware (dolls made of living organisms) as performance props. Abuse of the human body, genitals as art materials and manifesting a cornucopia of unusual sexual behavior are the tools and production practices employed to shock and enthrall audiences.
Live is laudatory book that dotes on the freakishness of performance and neglects to discuss critically the inherent problems associated with categorizing it as art rather than theater. Nevertheless, in the sea of literature vying for position in emerging art histories this book floats to the surface.
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–NoHo->LA
[An] extremely useful, well-edited and readable book ... The essays in Live are excellent, both varied and well-informed.
–Performance Research, February 2005
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Soft cover. Condition: Very Good. Glendinning, Hugo - photographer (illustrator). Colorful wraps are well-bound, lightly rubbed 7 soiled from handling. Pages bright & clean throughout. Seller Inventory # WS25447
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Soft cover. Condition: Near Fine. Dust Jacket Condition: Near Fine. All near fine. No inscriptions. The strong card covers are in near fine condition; bright and clean with no nicks, tears or bumps. 256 bright and clean pages. The spine is tight. Copious colour images by more than 30 contributors. This book is not for the faint hearted. It has a lot of flesh on display and has "dark" erotic themes at times. A very heavy book at over 1 kg. KINDLY note that a overseas order will incur extra postage due to weight. An excellent copy of a quite controversial topic. Seller Inventory # 003644
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Paperback. Condition: new. Paperback. Contributors include Peggy Phelan, Tim Etchells, RoseLee Goldberg, Guillermo Gomez Pena, Amelia Jones, Stelarc, Marina Abramovic and Alastair MacLennan. Combining full colour photographs shot by Hugo Glendinning of performances at Tate Modern by Oleg Kulik, Maria La Ribot, Forced Entertainment and Franko B, together with writings and archive material documenting the work of numerous other international artists, this is an indispensable volume for all those with an interest in some of the most vibrant issues within contemporary art. Contributors include Peggy Phelan, Tim Etchells, RoseLee Goldberg, Guillermo Gomez Pena, Amelia Jones, Stelarc, Marina Abramovic and Alastair MacLennan. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781854375018
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