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Synopsis
“Expanded cinema” encompasses film, video, performance, and multiple-projection. While video in museums has received considerable attention, experiments beyond the exhibition space have not. Here, leading scholars trace expanded and multiscreen cinema from its origins in early abstract film and the Bauhaus era to postwar happenings and live events in Europe and the United States, the first multimedia experiments of the 1960s, and the fusion of multiscreen art with sonic art and music from the 1970s onward. With new perspectives on American pioneers such as Carolee Schneemann and Stan Vanderbeek, this thought-provoking book goes on to explore the influence of video art on new media technologies.
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About the Author
Steven Ball, David Curtis, and Duncan White are research fellows at the British Artists’ Film and Video Study Collection, Central Saint Martins College of Art and Design, London. A. L. Rees is a research tutor in Communication Art and Design at the Royal College of Art.
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Expanded Cinema: Art, Performance, Film
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
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Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G1854379747I3N00
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Expanded Cinema: Art, Performance, Film
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Tate Publishing(UK) September 2011, 2011
ISBN 10: 1854379747
ISBN 13: 9781854379740
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Soft cover. Condition: Very Good. Mild surface rubbing. Spine has no creases and no markings. Seller Inventory # 335924
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Expanded Cinema: Art, Performance, Film
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Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Seller Inventory # Z1-B-012-01240
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Expanded Cinema: Art, Performance, Film
Seller: BWS BKS, Ferndale, NY, U.S.A.
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Paperback. Condition: New. âExpanded cinemaâ encompasses film, video, performance, and multiple-projection. While video in museums has received considerable attention, experiments beyond the exhibition space have not. Here, leading scholars trace expanded and multiscreen cinema from its origins in early abstract film and the Bauhaus era to postwar happenings and live events in Europe and the United States, the first multimedia experiments of the 1960s, and the fusion of multiscreen art with sonic art and music from the 1970s onward. With new perspectives on American pioneers such as Carolee Schneemann and Stan Vanderbeek, this thought-provoking book goes on to explore the influence of video art on new media technologies. Seller Inventory # 95229