A major contribution to the study of post-modernist literature in contemporary Ireland
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Flann O'Brien's The Third Policeman was written in 1940 but his publishers rejected it for being 'too fantastic'. Since its posthumous release in 1967 it has achieved cult status, although critical appraisal of his work has focused almost exclusively on At Swim-Two-Birds (1939). In this first novel O'Brien had confronted two towering traditions: the jaded legacy of Yeats' Celtic Twilight and the problematic complexities of Joyce's modernism. With The Third Policeman O'Brien forges a unique synthesis between these two traditions, and the paraliterary path he pursues marks the historical transition from modernism to post-modernism. This formalist study is a tribal retrieval of O'Brien's work which reconfigures him as a powerful voice within a dynamic and fertile landscape; indisputably Irish yet distinctly post-modern. It identifies The Third Policeman as a subversive intellectual satire, in the cutting-edge tradition of Swift and Sterne, and situates it as one of the earliest - and most exciting - examples of post-modernist fiction.
Keith Hopper is text editor for the Series. He is Senior Scholar at Kellogg College, Oxford.
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Seller: MW Books Ltd., Galway, Ireland
1st edition. Very good copy in the original stiff-card wrappers; edges slightly nicked and dust-dulled as with age. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description: 292 pages; 23 cm. Notes: Portrait of the artist as a young post-modernist.Includes bibliographical references (pages 275-284) and index. Contents: Beyond the Celtic twilight zone: shamanism, post-modernism and formalism -- The two towers: the filty modern tide meets the Celtic toilet -- 'Is it a bicycle?': censorship, sex and the metonymic code -- Character building: the role of the self-conscious narrator -- This is not a pipe: frame-breaking strategies -- Paradise lost, paradise regained: Flann O'Brien and the dialogic imagination -- Relative worlds: Kit Marlowe meets Philip Marlowe in the fourth dimension. Subjects: O'Brien, Flann 1911-1966 Criticism and interpretation.O'Brien, Flann 1911-1966. Third policeman. O'Brien, Flann 1911-1966. O'Brien, Flann 1911-1966; Postmodernism (Literature) Ireland. Experimental fiction, English Irish authors History and criticism. Genre: Bibliography. 1 Kg. Seller Inventory # 320487
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Seller: MW Books, New York, NY, U.S.A.
1st edition. Very good copy in the original stiff-card wrappers; edges slightly nicked and dust-dulled as with age. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description: 292 pages; 23 cm. Notes: Portrait of the artist as a young post-modernist.Includes bibliographical references (pages 275-284) and index. Contents: Beyond the Celtic twilight zone: shamanism, post-modernism and formalism -- The two towers: the filty modern tide meets the Celtic toilet -- 'Is it a bicycle?': censorship, sex and the metonymic code -- Character building: the role of the self-conscious narrator -- This is not a pipe: frame-breaking strategies -- Paradise lost, paradise regained: Flann O'Brien and the dialogic imagination -- Relative worlds: Kit Marlowe meets Philip Marlowe in the fourth dimension. Subjects: O'Brien, Flann 1911-1966 Criticism and interpretation.O'Brien, Flann 1911-1966. Third policeman. O'Brien, Flann 1911-1966. O'Brien, Flann 1911-1966; Postmodernism (Literature) Ireland. Experimental fiction, English Irish authors History and criticism. Genre: Bibliography. 1 Kg. Seller Inventory # 320487
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paperback. Condition: Good. Good. book. Seller Inventory # D8S0-3-M-1859180426-3
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