Always bold, always provocative, Michele Roberts turns now to the forbidden pleasures and pains of the love between father and daughter and unfolds before us the life and death of Saint Josephine. Holy woman or whore? Upholder of pious or pagan delights? Lowly nun or powerful miracle worker? Or both? And woven throughout her story are the heady and sometimes fearful tales of other female saints - one-armed mad girls, beauties locked in towers, seductive daughters - all women who didn't know their place. Rich with fabulous imagery, IMPOSSIBLE SAINTS is as potent and disturbing as its dangerous themes. 'Her fictions are high-risk, unconventional, often apparently unstable; yet are steered with such authority that the otherwise cautious reader is taken almost without realising it into dangerous and exhilarating territory ... She is a writer dedicated to challenging the boundaries by which the idle and unthinking might try to circumscribe her' Rachel Cusk, Sunday Express 'Hugely entertaining and genuinely thought-provoking' Julia Flynn, Sunday Telegraph
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Michle Roberts is half English and half French and divides her time between both countries. She is the author of seven novels, three books of poetry, and a collection of stories. Her 1992 novel, Daughters of the House, won the W. H. Smith Literary Award and was short-listed for the Booker Prize.
A curious and unaccountably redundant seventh novel from the English-French author of, most recently, the prize-winning Daughters of the House (1993). In a smooth style that expertly details several distinct historical settings, Roberts tells two juxtaposed stories: the life of St. Josephine, as recalled by her formerly wayward niece Isabel, and capsule ``lives'' of 11 other women elevated (in some cases, virtually air-lifted) to sainthood. Both narratives are framed by chapters set in ``The Golden House,'' a reliquary where the bones of the devout dead are displayed and worshiped. It's the final resting place, in a sense, of the restless Josephine, a bookish girl and precocious writer who, after an uncharacteristic act of teenage rebelliousness, is sent to a convent where ``she struggled for years to get the hang of how she was supposed to be holy. Roberts depicts Josephine as a truculent intellectual unsettled by manifestations of the divine (Christ visits her in bed at night); a passionate gardener, autodidact (for whom learning leads to humility), and socialist organizer who eventually founds her own convent. It's hard to gauge Roberts's aims in this narrative, which can be read as an ironical study of the psychological dimensions of religious devotion. Things are clearer in the 11 interpolated ``lives,'' whose subjects include St. Petronilla, the daughter of St. Peter, who's mortified by the drunken post-crucifixion carousing of the apostles; St. Thais, who seduces her father and dies in the well to which she is thereafter confined; and St. Marin, a girl disguised as a boy who is falsely punished for ``fathering'' her father's illegitimate child--and achieves martyrdom. These are broad, often startlingly sexually explicit caricatures of emotionally driven females (many of whom have a thing for, or are had by, their fathers) whose intensity alone, it seems, sanctifies them. Insouciant and entertaining, even when one doesn't know quite what to make of it. The Vatican will not be amused. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.
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