Bookseller Bernie Rhodenbarr's in love—with an exotic Eastern European beauty who shares his obsession with Humphrey Bogart movies. He's in heaven, munching popcorn with his new amour every night at a Bogart Film Festival—until their Casablanca-esque idyll is cut short by his other secret passion: burglary.
When he's hired to pilfer a portfolio of valuable documents from a Park Avenue apartment, Bernie can hardly refuse. But the occupant's early return forces Bernie to flee empty-handed—and he soon finds himself implicated in a murder. Before you can say "who stole the strawberries?" he's hunting for a killer, up to his neck in the outrageous intrigues of a tiny Balkan nation . . . and menaced by more sinister fat men and unsavory toadies than the great Bogie himself butted heads with in pursuit of that darn bird!
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Lawrence Block is one of the most widely recognized names in the mystery genre. He has been named a Grand Master of the Mystery Writers of America and is a four-time winner of the prestigious Edgar and Shamus Awards, as well as a recipient of prizes in France, Germany, and Japan. He received the Diamond Dagger from the British Crime Writers' Association—only the third American to be given this award. He is a prolific author, having written more than fifty books and numerous short stories, and is a devoted New Yorker and an enthusiastic global traveler.
"Justice gets served last, and usually winds up with leftovers." Yes, it's witty, but what really makes this line work is that the man speaking it, bookstore owner and master burglar Bernie Rhodenbarr, finds not just irony but opportunity in its meaning. That's the thing about the Rhodenbarr mysteries: Bernie keeps you on your toes. He has a heart of gold, but he loves to steal, both for the thrill and the profit. Sentimental, yes, but selfish, too, thank God--sort of like Bogart, which leads us to the just-plain-fun plot of Bernie's latest caper. Out of all the bookstores in all the towns in all the world, this girl named Ilona happens to walk into Bernie's: they get to talking, she buys a book on Bogart, and before you can say, "Here's looking at you, kid," they've made a date to see two Bogey flicks at a New York film festival. After that, it gets complicated fast: they keep going to the Bogey festival every night; Bernie steals some documents; his sort-of-partner is killed; an enigmatic fat man appears, lusting after the documents; Ilona disappears, leaving Bernie holding the popcorn; and, inevitably, Ilona takes the midnight plane, dedicating her life to helping another man achieve an idealistic political dream, but not before Bernie has a chance to mutter, "We'll always have Twenty-fifth Street." What does it all mean? Not much, but if you're a film fan, who cares? It's funny, it's silly, it's stupendously clever, it's drop-dead romantic. Play it again, Bernie. Bill Ott
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