Roland Barthes is best known as a semiologist, a student of the science of signs. This sees human beings primarily as communicating animals. It looks at the way they use language, clothes, gestures, hair styles, visual images, shapes and colour to convey to one another their tastes, their emotions, their ideal self-image and the values of their society.
Philip Thody and Ann Course elucidate Barthes' application of these ideas to literature, popular culture, clothes and fashion. They further clarify why his thinking in this area made him a key figure in the structuralist movement of the 1960s. Introducing Barthes describes how Barthes' insistence on pleasure, the delights of sexual non-conformity and the freedom of the reader to make use of existentialist, Marxist, Freudian and structuralist interpretations of literary texts continue to make him one of the most challenging of modern writers.
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Philip Thody was Professor of French Literature and Head of Department of French at the University of Leeds until his retirement in 1993. He died in 1999.
Grade 12 Up?This book unsuccessfully attempts to present an explanation of Barthes's theories through a combination of text and cartoons. At times the narrative is aided by conversation bubbles in the cartoons, but this is rare. Toward the end of the book, the drawings become needlessly sexually explicit, depicting orgies and S&M. This volume tries to pack too much information into one short volume and fails completely at presenting its topic. Readers with no background on Barthes will be poorly served by it.?Michele Snyder, Chappaqua Public Library, NY
Copyright 1998 Reed Business Information, Inc.
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