Items related to Cages (Three of Ten Ser)

McKean, Dave Cages (Three of Ten Ser) ISBN 13: 9781879450189

Cages (Three of Ten Ser) - Softcover

 
9781879450189: Cages (Three of Ten Ser)
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One of the all-time best and most highly acclaimed graphic novels ever is now, finally, back in print! The first print was a quick sell-out from Kitchen Sink before they disappeared. Dave McKean, famous for Arkham Asylum and his covers for Sandman, presents a highly allegorical tale of the dwellers of an apartment building. They each have their own lives, their own takes on life and these intertwine and relate inevitably to each other in ways that make lifeıs mystery. Running in parallel lines or tangentially, the differing lives each have their own tale to tell under the magic spin of McKeanıs brilliant imagery and story-telling. Itıs about a blocked painter, a controversial novelist and a wise musician. It may be about God, about jazz, about sex, but also about creativity and artistic fulfillment. A seminal work that proved, rather refreshingly without artifice, how thought-provoking comic art can be.

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About the Author:
Dave McKean is best known for his regular collaboration with Neil Gaiman, during which he has created covers for every single issue and one-shot of Sandman, (now collected as Titan's The Sandman: Dustcovers), Violent Cases, Signal to Noise, Black Orchid and Mr. Punch. Also celebrated for his work with Grant Morrison on the classic Batman: Arkham Asylum, Cages represents McKean's first major solo work.
From Publishers Weekly:
Best known for his work with Neil Gaiman, McKean is also an accomplished cartoonist in his own right. This is his magnum opus to date: an immense, pulsing graphic novel that's also a treatise on art, creativity and the uses and misuses of technique. Originally serialized between 1990 and 1996 (and collected in 1998), it's been out of print for several years. The book's plot is fairly rudimentary: a painter, a writer and a musician who live in the same apartment building find their lives intersecting. But the book's gradual shift from literalism to fanciful allegories and stories-within-stories mostly serves as the springboard for a visual tour de force. For most of the book, McKean restricts himself to wobbly, jagged two-tone pen-and-ink drawings, occasionally in the manner of Egon Schiele. But he often signals shifts in storytelling mode by switching media or style (to ink-wash brushwork, airbrushed photography, white-on-black "woodcuts," bold near-abstractions or whatever seems appropriate); when the artwork erupts into full-color paintings and collages, the effect is explosive. Even when the story falters or drifts into endless philosophical chitchat, McKean's artwork saves the day. His characters, built out of crazily bent lines and splatters, have perfectly choreographed body language, and his daring visual experiments serve the ideological goals of his writing.
Copyright 2002 Cahners Business Information, Inc.

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  • PublisherTundra Pub
  • ISBN 10 1879450186
  • ISBN 13 9781879450189
  • BindingPaperback
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