Review:
In McClanahan's second novel, the antics of Professor Philander Cosmo Rextroat, B.S., M.A. and "Pee Aitch Dee," an amusing, Kentucky-bred flimflam artist tie together three novella length, modern-day fairy tales. Set during World War II, the opening story, "Juanita and the Frog Prince," recounts a maid's deliverance from an unlucky pregnancy through a magical encounter with a dwarf awaiting trial for murder in the jail where she cleans. In the title story, Rextroat is the proprietor of a phony freak show who tries to quell a young boy's concern for his brother who is going to war. Each neo-gothic tale contains a bittersweet message laced with alchemy and love.
From Kirkus Reviews:
A first collection of three long pieces, all set in the 1940s- -``dark and ignorant times'' for the small-town folk that McClanahan (The Natural Man, 1983, etc.) continues to bring to life in his inimitable country-lyrical style. ``Juanita and the Frog Prince,'' the unlikely tale of a ``hoosegow scullery maid'' and a jail inmate with two noses, boldly veers into the fabulistic, with the slutty girl and the freak thug uniting in a weird transmigration of souls. Juanita Pence, knocked up by the ``devious, dissolute, thieving, and mean'' Warren Skidmore Harding, unburdens herself to the toad-ugly Luther ``Two Noses'' Jukes, who's sitting in jail for blowing up Lugnuts Bludgins, another no-count who made fun of Luther's face. As a child, Luther had been sold into sideshow infamy by his crazy mother. On the road, he appeared with the smooth-talking Rev. Philander Cosmo Rexroat, who changed his act from itinerant preacher to freak-show barker. Rexroat's presence links all three stories. ``The Congress of Wonders'' records a day in the life of his sad and seedy sideshow, circa 1944. Mostly ``a pickled-punk show'' of manufactured oddities, its one true attraction is JoJo, a true ``morphadyke,'' who triples as the Bodiless Head and the Bearded Lady. Everyone pays to see the strange hermaphrodite ``pokerate itself,'' but the real wonder is its genuine insight into the future. Finally, in ``Finch's Song: A School Bus Tragedy,'' Rexroat offers his ``Electro-Magno-Static-Diagnosis Machine'' (formerly an electric chair in his sideshow) to diagnose the ailments of Clarence ``Finch'' Fronk, a pitiful and sickly school-bus driver who's tormented by his older half-brother, a bitter and mean pool-hall owner who drives Clarence to a transcendent suicide. McClanahan's old-timey slang and down-home wit endow his trash, drifters, cons, and rubes with poetry and magic. -- Copyright ©1996, Kirkus Associates, LP. All rights reserved.
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