"Compelling and gorgeously written, this is a coming-of-age novella like no other. Chris Abani explores the depths of loss and exploitation with what can only be described as a knowing tenderness. An extraordinary, necessary book." Cristina Garcia, author of Dreaming in Cuban
"Abani's voice brings perspective to every moment, turning pain into a beautiful painterly meditation on loss and aloneness." Aimee Bender, author of The Girl in the Flammable Skirt
Abani's empathy for Abigail's torn life is matched only by his honesty in portraying it. Nothing at all is held back. A harrowing piece of work.” Peter Orner, author of The Esther Stories
Tough, spirited, and fiercely independent Abigail is brought as a teenager to London from Nigeria by relatives who attempt to force her into prostitution. She flees, struggling to find herself in the shadow of a strong but dead mother. In spare yet haunting and lyrical prose reminiscent of Marguerite Duras, Abani brings to life a young woman who lives with a strength and inner light that will enlighten and uplift the reader.
Chris Abani is a poet and novelist and the author, most recently, of GraceLand, which won the 2005 PEN/Hemingway Prize, a Silver Medal in the California Book Awards, and was a finalist for several other prizes including the Los Angeles Times Book Prize. His other prizes include a PEN Freedom-to-Write Award, a Prince Claus Award, and a Lannan Literary Fellowship. He lives and teaches in California.
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Chris Abani, curator of Akashic's Black Goat poetry imprint, is a Nigerian poet and novelist and the author of Song for Night, The Virgin of Flames, Becoming Abigail, and GraceLand (a selection of the Today Show Book Club; winner of the 2005 PEN/Hemingway Prize and the Hurston/Wright Legacy Award).
Abani follows up GraceLand, his PEN/Faulkner Award–winning boy's coming-of-age novel, with a searing girl's coming-of-age novella in which a troubled Nigerian teen is threatened with becoming human trade. Abigail's mother died giving birth to her, leaving her, as she grows, with a crippling guilt that drives her to bizarre childhood mourning rituals and, later, with the responsibility of caring for her chronically depressed father. Repeated sexual violations by male relatives and the self-imposed expectation that she live up to her idealized image of her mother create unbearable pain and contradiction. When, at the halfway point of the book, Abigail's father sends her, at age 15 , to live with her cousin-by-marriage, Peter, in London, it's as much to free her from him as to give her more opportunities. But once she arrives, her "cousin" proves malevolent, and her dehumanization begins. Recalling Lucas Moodyson's crushing Lilya4Ever, this portrait of a brutalized girl given no control over her life or body, features Abani's lyrical prose (Abigail's father's armchair "smelled of the dreams of everyone who had sat in it") and deft moves between short chapters titled "Then" and "Now"—with the latter offering little promise. (Apr.)
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