Real Conversations No. 1 is a collection of lengthy interviews
with indie-media luminaries Henry Rollins, Jello Biafra, Billy Childish,
and Lawrence Ferlinghetti.
These punks and poets extemporize passionately, angrily, hopefully,
fearfully, and humorously on how to stay independent in a corporatized
world, covering everything from SUVs, the WTO, and the prison industry
to visual art, punk music, independent presses, and artistic and
political protest. Filled with controversial, sometimes conflicting, and
occasionally unexpected commentary born of years of artistic, industry,
and political experience, this book appeals to a broad cross-section of
progressive artists, writers, independent publishers, producers,
skateboarders, intellectuals, and activists. These funny, entertaining,
enlightening, deep discussions about the sources of creativity,
philosophy, ethics, and the meaning of life are inspiring and
provocative.
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In 1986 his Frankenchrist trial (the first
record in history charged with obscenity) forced him into international
limelight as a gadfly speaking out on censorship and First-Amendment violations.
Thus began his career as a spoken-word firebrand. Biafra has a way of
penetrating political and corporate media smokescreens to spotlight the real
issues festering beneath. His radical insights inform a dozen music albums and
six spoken-word albums on the Alternative Tentacles label.
How do Rollins, Biafra, Ferlinghetti and Childish remail independent in a corporate world? Tales, advice and dark humor from citizens of the eternal underground.
Lawrence Ferlinghetti:
I have a truck. I need it. But I would go for a horse and a carriage if they’d let me keep it in the garage. We may get to that. The automobile is just a passing thing; the horse is here to stay!
From a different point of view, in the ecological battles, every victory is temporary and every defeat is permanent. For instance, when they cut down redwoods, it’s a permanent defeat. It’s shocking that unknown people have cut halfway through the tree that Julia Butterfly was up in for over a year. This huge, ancient redwood—I don’t know how old it is; maybe a thousand years— was cut halfway through. I don’t think anyone knows if it can be saved or not. But this is the kind of thing I’m talking about.
So you have overpopulation, which no politician will dare
mention. For instance, two years ago at the Watershed
Conference in Berkeley, which has a supposedly very hip audience—a Green audience—I read a long poem called
“Overpopulation.” But before I read it, I said that the United
States tax code should be revised so that people weren’t rewarded
for having babies—right now you get a tax reduction for every
child you have. I think the tax code should be revised to say that
the first child is free; after that, you pay the government for each
child you have—except for low-income families. But even this
audience didn’t accept this. Afterwards, people came up and said,
“You can’t tell me how many children I can have!” Etc., etc.
Billy Childish
BC: And it’s
really good our band didn’t became famous, because if someone had “discovered”
the Pop Rivets, that could have destroyed our creativity. Kids are stupid—you
get a load of money and you can’t keep your head together. Everyone wants to be
a millionaire, even if they pretend they don’t, and they’ll end up doing all
sorts of undignified things. NV: Not to mention repeating themselves creatively.
BC: Well, supposedly I repeat
myself creatively all the time— but I’m not so sure about that. I think some people don’t
understand the sophistication in simplicity.
V: Yes; it’s deceptively
difficult to come up with a simple song that is “original”—
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