Meghan Daum is one of the most celebrated nonfiction writers of her generation, widely recognized for the fresh, provocative approach with which she unearths hidden fault lines in the American landscape. From her well-remembered New Yorker essays about the financial demands of big-city ambition and the ethereal, strangely old-fashioned allure of cyber relationships to her dazzlingly hilarious riff in Harper's about musical passions that give way to middle-brow paraphernalia, Daum delves into the center of things while closely examining the detritus that spills out along the way. She speaks to questions at the root of the contemporary experience, from the search for authenticity and interpersonal connection in a society defined by consumerism and media; to the disenchantment of working in a "glamour profession"; to the catastrophic effects of living among New York City's terminal hipsters. With precision and well-balanced irony, Daum implicates herself as readily as she does the targets that fascinate and horrify her. In a review of The KGB Bar Reader, in which Daphne Merkin singled out Daum's essay about the inability to mourn a friend's death, Merkin wrote: "It's brutally quick, the way this happens, this falling in love with a writer's style. Daum's story hooked me by the second line. Hmm, I thought, this is a writer worth suspending my routines for."
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For several years now, I've kept copies of some of these essays in a manila folder by my desk. When friends or colleagues ask if I know of any especially interesting new writers, I pull out the folder and head for the photocopier. Meghan DaumÕs essay Variations on Grief is one of the most stunningly honest things I've ever read. And throughout this book, there are a surprising number of moments when your jaw just drops in amazement at what she's saying. Even when she's being funny, her writing has a clarity and intensity that just makes you feel awake.
Ira Glass, host of This American Life
A Joan Didion for the new millennium, Meghan Daum brings grace, wit, and insight to contemporary life, love, manners, and money. Her misspent youth is a reader's delight.
Dan Wakefield, author of New York in the Fifties
A voice that is fresh and wickedly funny, bracing in its honesty
Bruce Jay Friedman
Meghan Daum has the true essayist's gift: she will say what no one else is willing to say (about being a shiksa, about leaving New York, about being unable to grieve), and through her eloquent and vivid candor she embodies for the reader nothing less than what it feels like to be alive in America right now.
David Shields
Meghan DaumÕs essays and articles have appeared in The New Yorker, HarperÕs, The New York Times Book Review, HarperÕs Bazaar, GQ, Nerve, Self, and Vogue, among other publications. She has contributed to NPRÕs This American Life and is a commentator for Morning Edition. Born in 1970, Meghan holds an M.F.A. from Columbia. She recently moved from New York City to rural Nebraska.
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