Poetry. "THE MIDDLE is beautiful and powerful—Angela Hume's line breaks are beautiful and powerful—her pages are beautiful and powerful—and all that grace animates calm outrage, ghostlier awareness ('private like a thought / for a wrist of a thigh'), keener sounds ('try looking away try looking away try')—keener ethics, too ('first / demarcaTe // an aesthetics of / injury')—the body is ghost—polis is eyes but police is eyes too—and polis is police ('state of pacifi / cation state of // damage state / of destroy all / ex // cess body / state of little / to no // speech // ill / state // police / state')—we have to have political poetry—we can't be human otherwise—and what holds here is a new Objectivism—a clarity made actual in a construct of words ('inhabit that / incision // in such a way that can't be used')—this clarity holds against and in the violence that surrounds us (Benjamin: 'something rotten in law is revealed')—Angela Hume is a necessary poet—"—Joseph Lease, Judge of the 2012 Omnidawn Poetry Chapbook Prize
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Angela Hume lives in Oakland. She is the author of the chapbook Second Story of Your Body (Portable Press at Yo-Yo Labs, 2011). Poems are forthcoming or have appeared in such journals as Little Red Leaves, RealPoetik, eccolinguistics, Zoland Poetry, and Spinning Jenny. Critical work is forthcoming or has appeared in ISLE: Interdisciplinary Studies in Literature and Environment, ecopoetics, Evening Will Come, and Evental Aesthetics.
“The Middle is beautiful and powerful—Angela Hume’s line breaks are beautiful and powerful—her pages are beautiful and powerful—and all that grace animates calm outrage, ghostlier awareness (“private like a thought / for a wrist, of a thigh”), keener sounds (“try looking away try looking away try looking away try looking away try looking away try”)—keener ethics, too (first / demarcate // an aesthetics of / / injury”)—the body is ghost—polis is eyes but police is eyes too—and polis is police (“state of pacifi / cation state of // damage state of / destroy-all-ex // cess body state of little / to no // speech / ill / state // police / state”)—we have to have political poetry—we can’t be human otherwise—and what holds here is a new Objectivism—a clarity made actual in a construct of words (“(inhabit that / incision // in such a way that can’t be used”)—this clarity holds against and in the violence that surrounds us (Benjamin: “something rotten in law is revealed”)—Angela Hume is a necessary poet.” (Joseph Lease, Judge of the 2012 Omnidawn Poetry Chapbook Prize)
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Paperback. Condition: new. Paperback. The Middle is beautiful and powerful-Angela Hume's line breaks are beautiful and powerful-her pages are beautiful and powerful-and all that grace animates calm outrage, ghostlier awareness ("private like a thought / for a wrist, of a thigh"), keener sounds ("try looking away try looking away try looking away try looking away try looking away try")-keener ethics, too (first / demarcate // an aesthetics of / / injury")-the body is ghost-polis is eyes but police is eyes too-and polis is police ("state of pacifi / cation state of // damage state of / destroy-all-ex // cess body state of little / to no // speech / ill / state // police / state")-we have to have political poetry-we can't be human otherwise-and what holds here is a new Objectivism-a clarity made actual in a construct of words ("(inhabit that / incision // in such a way that can't be used")-this clarity holds against and in the violence that surrounds us (Benjamin: "something rotten in law is revealed")-Angela Hume is a necessary poet. The Middle is beautiful and powerful, and all that grace animates calm outrage, ghostlier awareness. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781890650834
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