In her debut novel, Sunglasses After Dark (1989), no-nonsense nosferatu Sonja Blue is a punk vampire vigilante with a Clint Eastwood swagger who shows up the sensitive vampire antiheroes of most dark fantasy as refugees from a fern bar. The commanding figure she cuts in three follow-up novels is only occasionally on display in these seven short stories (three original to the volume), the majority of which read like outtakes from longer works. "Cold Turkey" actually was incorporated into the third novel, Paint It Black, but it offers a satisfying example of the series' hard-boiled appeal with its chronicle of Sonja's struggle to repress "the Other," the ravenous vampire ego that lurks behind her omnipresent mirrorshades and terminally threatens her efforts at anonymous coexistence with humans. Other stories are less generous in imagination, overworking vampire rape imagery, yanking Sonja onstage belatedly to bat cleanup and, in the case of "Knifepoint," avoiding her appearance altogether. At least one is near-perfect, "Vampire King of the Goth Chicks," in which Sonja exposes a vampire faker in the Goth subculture, perfectly balances graveyard humor with Sonja's self-conscious disgust with her own vampirism and her seething contempt for deluded vampire wannabes who think being undead is "all black leather, love bites, and tacky chrome jewelry." Though Collins is in full command of her material and always makes the gore seem to matter, this book is only for Sonja's blood simple fans.
Copyright 2002 Cahners Business Information, Inc.
"synopsis" may belong to another edition of this title.
In her debut novel, Sunglasses After Dark (1989), no-nonsense nosferatu Sonja Blue is a punk vampire vigilante with a Clint Eastwood swagger who shows up the sensitive vampire antiheroes of most dark fantasy as refugees from a fern bar. The commanding figure she cuts in three follow-up novels is only occasionally on display in these seven short stories (three original to the volume), the majority of which read like outtakes from longer works. "Cold Turkey" actually was incorporated into the third novel, Paint It Black, but it offers a satisfying example of the series' hard-boiled appeal with its chronicle of Sonja's struggle to repress "the Other," the ravenous vampire ego that lurks behind her omnipresent mirrorshades and terminally threatens her efforts at anonymous coexistence with humans. Other stories are less generous in imagination, overworking vampire rape imagery, yanking Sonja onstage belatedly to bat cleanup and, in the case of "Knifepoint," avoiding her appearance altogether. At least one is near-perfect, though: "Vampire King of the Goth Chicks," in which Sonja exposes a vampire faker in the Goth subculture, perfectly balances graveyard humor with Sonja's self-conscious disgust with her own vampirism and her seething contempt for deluded vampire wannabes who think being undead is "all black leather, love bites, and tacky chrome jewelry." Though Collins is in full command of her material and always makes the gore seem to matter, this book is only for Sonja's blood simple fans.
Copyright 2002 Cahners Business Information, Inc.
The author of the popular Sonja Blue novels here presents all of her heroine's short stories, prefacing them with an interview in which she discusses the origins and popularity of the character, a vampire who hunts her own kind. The stories proper include "Cold Turkey," in which a young man, Judd, pursues Sonja romantically and tragically brings out her "other"--the part of her that is a predatory vampire. In "Tender Tigers," Sonja encounters the stepdaughter of an ogress and determines to free the girl and her enslaved father from the ogress' grasp. "Variations on a Theme" borrows a bit from the popular graphic-novel series The Crow; in it Sonja discovers two murdered lovers, one of whom has been changed into a revenant to avenge his dead lover. These absorbing stories, half of which are debuting in this collection, are dark and introspective, and show just why Sonja Blue is popular. Kristine Huntley
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"About this title" may belong to another edition of this title.
Seller: Gavin's Books, Santa Maria, CA, U.S.A.
Hardcover. Condition: Used - Very Good. Dust Jacket Condition: Very Good. Stephen R. Bissette (illustrator). First Edition. This edition limited to 400 copies; Signed by Nancy Collins on half-title page and by Stanley Wiater (interviewer) on interview page; A publisher's copy from the private library of Stanley Wiater; little wear. Signed By Author. Seller Inventory # 147138
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condition: As New. No Jacket. Stephen R. Bissette (illustrator). Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G1892300079I2N00
Seller: Robert Gavora, Fine & Rare Books, ABAA, Talent, OR, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Stephen R. Bissette (illustrator). First edition. Number 290 of 400 numbered copies signed by Collins on the half-title page. A Sonja Blue collection seven stories. Illustrations by Stephen R. Bissette. Fine in fine and bright dust jacket. Appears as new. Signed by Author(s). Book. Seller Inventory # 057524
Seller: Books From California, Simi Valley, CA, U.S.A.
hardcover. Condition: Fine. Stephen R. Bissette (illustrator). Signed. First Edition. first printing with full numberline, signed by author, limited edition copy J of 26. leather binding in slipcase. a copy in fine condition. Seller Inventory # mon0004028161