Everyone knows what the distinctive curves and lines of Frank Gehry's buildings look like. But where do they come from? Gehry has described drawing as his way of thinking aloud; Gehry Draws traces that thinking through 29 major projects, providing a privileged view of the creative practice of a master architect. More than 360 drawings (most of which are previously unpublished) and more than 400 additional illustrations chart the evolution of Gehry's images from marks on the page to three-dimensional models to completed buildings. Horst Bredekamp's introduction relates Gehry's drawing methods to the concept of disegno, as practised by Leonardo and Durer - not only the act of drawing and modelling, but also the dynamics of creative thinking. Gehry himself describes his method for Bredekamp in several explanatory sketches, and Bredekamp applies this to a study of drawings made for specific Gehry commissions. Virtual-reality filmmaker Rene Daadler and writer Mark Rappolt return this discus
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Mark Rappolt is a freelance writer, Senior Editor of Contemporary magazine, and former editor of AA Files, the journal of the Architectural Association in London.
The shapes—of the Guggenheim Museum at Bilbao, of the unbuilt New York Times headquarters, of Los Angeles's Walt Disney Concert Hall—are by now familiar, if no less wonderful and estranging. This terrific book can hardly be called a set of sketches. It brings together drawings architect Gehry has done for 29 recent projects; to look at them in series is to watch a genius think out loud, so close does the link between thought and line seem here (before the projects have been computer simulated, modeled and hyped to death). Text-wise, signs are sometimes taken as wonders, with Gehry's most banal pronouncements given the status of pull-quotes ("We work with clients a lot. I listen to the client a lot. I spend more time with clients than most people would guess"), but the drawings themselves (950!) are arresting, and they lose none of their impact when put on the page. (Mar.)
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Seller: Frans Melk Antiquariaat, HILVERSUM, Netherlands
London, VIOLETTE Editions, 2005. Hardcover with dustjacket/wrap-around-band. 25,5 x 19,5 cm. 44 pages. With illustrations in color and b/w. - Text on Fench title page: NEAR FINE COPY [Architecture / international [Algemene Architectuur] ]. Seller Inventory # #134713
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