Just when you thought it was safe to go back into interstellar space ...Alastair Reynolds burst onto the SF scene with the Arthur C. Clarke Award-shortlisted REVELATION SPACE, British Science Fiction Award-winning CHASM CITY, and REDEMPTION ARK. Now experience the phenomenal imagination and breathtaking vision of 'The most exciting space opera writer working today' (Locus) in these two tales of high adventure set in the same universe as his novels. The title story, 'Diamond Dogs', tells of a group of mercenaries trying to unravel the mystery of a particularly inhospitable alien tower on a distant world; 'Turquoise Days' is about Naqi, who has devoted her life to studying the alien Pattern Jugglers.
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Alastair Reynolds was born in Barry, South Wales, in 1966. He studied at Newcastle and St Andrews Universities and has a Ph.D. in astronomy. Since 1991 he has lived in the Netherlands, near Leiden, where he works as an astrophysicist for the European Space Agency. The first three books in his loosely linked series, Revelation Space, nominated for the Arthur C. Clarke and the British Science Fiction awards, Chasm City, winner of the British Science Fiction Award, and Redemprion Ark, are all Gollancz bestsellers.
Starred Review. Astronomer Reynolds's two far-future space exploration novellas, set in his Revelation Space universe (Chasm City, etc.), confirm his mastery of noir SF. Antihero Richard Swift of "Diamond Dogs" joins Mephistophelian Roland Childe's expedition to scale the Blood Spire on the planet Golgotha. As they climb, they must solve increasingly intricate mathematical puzzles, replacing limbs and mental processes with cybernetic constructs as the Spire changes the rules of its lethal game. Naqi Okpik of "Turquoise Days" loses her sister Mina to the sentient ocean of the planet Turquoise. Naqi abandons her humanity, uniting with the ocean to find Mina and save their world from destruction. Spire and ocean are both artifacts of Revelation Space's alien Pattern Jugglers, who form a living gestaltinterstellar entity that in these brilliantly executed parables represents the vehicle for humanity's choice between self-immolation and evolution and the author's postulated solution to the riddle of Faustian man. Reynolds's allegory: if humans embrace science and technology so fervently that body and soul sacrifice themselves to overweening greed, humans will eventually perish in bitter suicide; instead, abandon selfish individuality, immerse the soul in the warm sea of homecoming where minds meet and meld into oneness, and survive, changed forever.
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