This is the first significant publication on the work of British artist Mat Collishaw. With a nod to Victorian aesthetics by way of the exquisite design and lay-out, and the mesmerising 'stain-glass' feel of Collishaw's photographs, this book has a poetic quality that both seduces and denies the reader: "Collishaw's work and its ideas accelerate through the red traffic lights of photographic decency and order, risking everything with near misses, dangerous skids or the actual blood and broken glass of head-on collisions".With an intriguing and insightful essay by Neal Brown that discusses significant works such as: 'Bullet Hole'; 'Wound'; 'Beast in Me'; 'The Eighth Day'; Girls of The World series; and The Awakening Conscience series, and which explores the relationship of Collishaw's narrative to mythological archetypes, this beautiful publication refines the notion that Collishaw's work has an hypnotic quality – the viewer is engaged and stimulated to the point of being complicit in the narrative.Including over 100 full colour reproductions of Collishaw's photographs, this book perfectly conveys Collishaw's central theme: "The self-admiring creature is a hybrid comprising at least three sexual psychologies: Collishaw the artist, Collishaw as Narcissus, and Collishaw the Satyr".
"synopsis" may belong to another edition of this title.
Born in Nottingham, England in 1966, Mat Collishaw studied at Goldsmiths College of Art, London from 1986 to 1989, along with a number of other prominent international British artists such as Damien Hirst and Sarah Lucas. He has participated in numerous group exhibitions such as ‘Freeze’ in 1988, and Modern Medicine in 1990, and has had many solo exhibitions in the UK and internationally, with galleries such as Tanya Bonakdar Gallery, New York and Modern Art Inc, London. Most recently he has had a joint show at Haunch of Venison, Zurich. Collishaw lives and works in London. Forthcoming shows include Haunch of Venison, London, Analix Forever Gallery, Geneva and Uno Suo Nova, Rome.
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Trade Paperback. Condition: Used - Like New. This is the first significant publication on the work of British artist Mat Collishaw. With a nod to Victorian aesthetics by way of the exquisite design and lay-out, and the mesmerising 'stain-glass' feel of Collishaw's photographs, this book has a poetic quality that both seduces and denies the reader: 'Collishaw's work and its ideas accelerate through the red traffic lights of photographic decency and order, risking everything with near misses, dangerous skids or the actual blood and broken glass of head-on collisions.' With an intriguing and insightful essay by Neal Brown that discusses significant works such as: 'Bullet Hole'; 'Wound'; 'Beast in Me'; 'The Eighth Day'; Girls of The World series; and The Awakening Conscience series, and which explores the relationship of Collishaw's narrative to mythological archetypes, this beautiful publication refines the notion that Collishaw's work has an hypnotic quality - the viewer is engaged and stimulated to the point of being complicit in the narrative. Including over 100 full colour reproductions of Collishaw's photographs, this book perfectly conveys Collishaw's central theme: 'The self-admiring creature is a hybrid comprising at least three sexual psychologies: Collishaw the artist, Collishaw as Narcissus, and Collishaw the Satyr.' Softback/with hardback cloth covered slipcase and gold foiling. Very nice clean, tight copy free of any marks. With slipcase. Seller Inventory # 313391
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Soft cover. Condition: About Fine. 1st Edition. Soft-cover in slipcase. Copiously illustrated in colour. Seller Inventory # 032142
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Soft cover. Condition: As New. Essay by Neal Brown, 176 pages, 112 color illustrations, octavo (8vo), soft cover in hardcover black cloth slip case. Seller Inventory # 000151
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Paperback. Condition: new. Paperback. This is the first significant publication on the work of British artist Mat Collishaw. With a nod to Victorian aesthetics by way of the exquisite design and lay-out, and the mesmerising 'stain-glass' feel of Collishaw's photographs, this book has a poetic quality that both seduces and denies the reader: "Collishaw's work and its ideas accelerate through the red traffic lights of photographic decency and order, risking everything with near misses, dangerous skids or the actual blood and broken glass of head-on collisions".With an intriguing and insightful essay by Neal Brown that discusses significant works such as: 'Bullet Hole'; 'Wound'; 'Beast in Me'; 'The Eighth Day'; Girls of The World series; and The Awakening Conscience series, and which explores the relationship of Collishaw's narrative to mythological archetypes, this beautiful publication refines the notion that Collishaw's work has an hypnotic quality the viewer is engaged and stimulated to the point of being complicit in the narrative.Including over 100 full colour reproductions of Collishaw's photographs, this book perfectly conveys Collishaw's central theme: "The self-admiring creature is a hybrid comprising at least three sexual psychologies: Collishaw the artist, Collishaw as Narcissus, and Collishaw the Satyr". This is the first significant publication on the work of British artist Mat Collishaw. With a nod to Victorian aesthetics by way of the exquisite design and lay-out, and the mesmerising 'stain-glass' feel of Collishaw's photographs, this book has a poetic quality that both seduces and denies the reader: "Collishaw's work and its ideas accelerate through the red traffic lights of photographic decency and order, risking everything with near misses, dangerous skids or the actual blood and broken glass of head-on collisions." With an intriguing and insightful essay by Neal Brown that discusses significant works such as: 'Bullet Hole'; 'Wound'; 'Beast in Me'; 'The Eighth Day'; Girls of The World series; and The Awakening Conscience series, and which explores the relationship of Collishaw's narrative to mythological archetypes, this beautiful publication refines the notion that Collishaw's work has an hypnotic quality - the viewer is engaged and stimulated to the point of being complicit in the narrative. Including over 100 full colour reproductions of Collishaw's photographs, this book perfectly conveys Collishaw's central theme: "The self-admiring creature is a hybrid comprising at least three sexual psychologies: Collishaw the artist, Collishaw as Narcissus, and Collishaw the Satyr." Softback/with hardback cloth covered slipcase and gold foiling. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781904212157
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Condition: New. Num Pages: 176 pages, 112 colour. BIC Classification: ACB. Category: (G) General (US: Trade). Dimension: 227 x 167 x 41. Weight in Grams: 1026. . 2008. Slp. Paperback. . . . . Seller Inventory # V9781904212157
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Condition: New. Num Pages: 176 pages, 112 colour. BIC Classification: ACB. Category: (G) General (US: Trade). Dimension: 227 x 167 x 41. Weight in Grams: 1026. . 2008. Slp. Paperback. . . . . Books ship from the US and Ireland. Seller Inventory # V9781904212157
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paperback. Condition: Sehr gut. Gebraucht - Sehr gut SG - Ungelesenes Mängelexemplar, gestempelt, mit leichten Lagerspuren - This is the first significant publication on the work of British artist Mat Collishaw. With a nod to Victorian aesthetics by way of the exquisite design and lay-out, and the mesmerising 'stain-glass' feel of Collishaw's photographs, this book has a poetic quality that both seduces and denies the reader: 'Collishaw's work and its ideas accelerate through the red traffic lights of photographic decency and order, risking everything with near misses, dangerous skids or the actual blood and broken glass of head-on collisions'.With an intriguing and insightful essay by Neal Brown that discusses significant works such as: 'Bullet Hole'; 'Wound'; 'Beast in Me'; 'The Eighth Day'; Girls of The World series; and The Awakening Conscience series, and which explores the relationship of Collishaw's narrative to mythological archetypes, this beautiful publication refines the notion that Collishaw's work has an hypnotic quality - the viewer is engaged and stimulated to the point of being complicit in the narrative.Including over 100 full colour reproductions of Collishaw's photographs, this book perfectly conveys Collishaw's central theme: 'The self-admiring creature is a hybrid comprising at least three sexual psychologies: Collishaw the artist, Collishaw as Narcissus, and Collishaw the Satyr'. Seller Inventory # INF1000659619
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