Synopsis
Testing notions of good taste and painterly conventions, Richard Patterson’s complex, multi-layered paintings are catalogued in depth in this first substantial monograph.
Patterson’s paintings sit firmly within the grand tradition of European and American art, to which he has added his own. One of the Young British Artists to emerge in the late 1980s, and a participant in both the Freeze and Sensation exhibitions, Patterson has continued to challenge and push the boundaries of painting today. His practice is steeped in British and American pop culture allusions – ranging from films, magazines and music to advertising and consumerism – whilst simultaneously testing the links between painting, iconography and narrative.
Alongside texts by Toby Kamps and Jeremy Strick and an interview with the artist by Martin Herbert, over 150 colour illustrations of studies and details provide a fresh look at Patterson’s dynamic paintings.
To commemorate the publication, Patterson has created a limited-edition digital print, The Birth of Jan (2013), in association with Timothy Taylor Gallery. Each edition is hand-finished by the artist and contained within a custom-made slipcase.
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About the Author
"Toby Kamps is curator at the Museum of Contemporary Art, San Diego. His prior publications include Small Worlds: Dioramas in Contemporary Art, Frida Kahlo, Diego Rivera, and 20th Century Mexican Art, and Lateral Thinking: Art of the 1990s."
Richard D. Patterson (PhD, University of California, Los AngRichard D. Patterson (PhD, University of California, Los Angeles) is distinguished professor ermeritus at Liberty Univereles) is distinguished professor ermeritus at Liberty University. He has written well over 100 articles for major publissity. He has written well over 100 articles for major publishers and periodicals, including commentaries on Nahum, Habakhers and periodicals, including commentaries on Nahum, Habakkuk, and Zephaniah (Moody) and Joel and Kings (with Hermann kuk, and Zephaniah (Moody) and Joel and Kings (with Hermann Austel) for the second edition of the Expositor's Bible CommAustel) for the second edition of the Expositor's Bible Commentary Series. entary Series.
Martin Herbert writes on contemporary art for "Artforum" and "frieze", among others.
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Paperback. Condition: new. Paperback. Testing notions of good taste and painterly conventions, Richard Patterson's complex, multi-layered paintings are catalogued in depth in this first substantial monograph. Patterson's paintings sit firmly within the grand tradition of European and American art, to which he has added his own. One of the Young British Artists to emerge in the late 1980s, and a participant in both the Freeze and Sensation exhibitions, Patterson has continued to challenge and push the boundaries of painting today. His practice is steeped in British and American pop culture allusions - ranging from films, magazines and music to advertising and consumerism - whilst simultaneously testing the links between painting, iconography and narrative. Alongside texts by Toby Kamps and Jeremy Strick and an interview with the artist by Martin Herbert, over 150 colour illustrations of studies and details provide a fresh look at Patterson's dynamic paintings. To commemorate the publication, Patterson has created a limited-edition digital print, The Birth of Jan (2013), in association with Timothy Taylor Gallery. Each edition is hand-finished by the artist and contained within a custom-made slipcase. Richard Pattersons complex, multilayered paintings sit firmly within Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781905464401
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Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 192 pages. Signed with marker pen on half-title page by the artist Richard Patterson without any personal dedication. Excellent condition. Signed by Artist. Seller Inventory # 008388
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Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Richard Patterson (illustrator). 1st Edition. Signed by Patterson in marker pen to the half title page. Bound in the publisher's cloth complete with unclipped dust wrapper. The wrapper is very smart, with the lightest bruising at the spine ends. The book itself is similarly lightly bumped at the corners and spine ends, the rear board bowing a touch. The binding is tight and leaves clean throughout. A smart signed first edition. Signed by Author(s). Seller Inventory # PF00490
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Seller: Marcus Campbell Art Books, London, United Kingdom
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First Edition. 30 x 25 cm 191 pp with numerous colour illustrations throughout. Cloth, fine in fine dustwrapper. With a signed dedication by the artist in felt-tip to half-title page. Seller Inventory # 12252
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