The tale of Anastasia King who returns to her grandmother's house in Dublin after six long years away. She has been in Paris comforting her dying mother, who ran away from Anastasia's late father, her grandmother's only son. It is a story of Dublin and the unreachable side of the Irish temperament.
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New Yorker writer Maeve Brennan delivered a posthumous one-two with her biting collections The Springs of Affection and The Rose Garden. Now comes The Visitor, a previously unpublished novella written in the 1940s. In Brennan's stories, something quietly horrid has always just happened, or is just about to happen, or both. In The Visitor, it seems to be both. Twenty-two-year-old Anastasia King returns to Dublin after living with her mother in Paris for the past six years. The two left behind Anastasia's father and his fierce old mother. It is to this scary granny that Anastasia returns, now that her mother and father have died. But she is met by an implacable rage: Mrs. King has determined not to forgive Anastasia for deserting the family. Brennan sketches in this woman's nastiness in just a few lines. Typically, she writes around her character, rather than tackling her head on: "Mrs. King came into the room in silence. She sat down without speaking, arranging her long black skirt about her long-hidden, unimaginable knees, and examining the tea tray with a critical eye." It is clear that while Anastasia thinks she has come home to stay, she is a mere visitor, and an unwelcome one at that.
Few writers so delicately and cruelly parse their countrymen; Brennan wickedly lays bare the malicious repression of the Irish. Even as she satirizes her sanctimonious people, she makes us know that the pain they inflict and feel is real. All this witty psychologizing is done with a minimum of characters and plot. The Visitor reads like an Elizabeth Bowen novel without all those words, or like Washington Square with jokes. Brennan even provides what might be called poetry, if that word weren't so cheap: a statue of the Virgin Mary has a "pale and averted face, sweet and moodless." The Visitor makes its departure all too quickly. --Claire Dederer
Maeve Brennan left Ireland for America in 1937. In 1949 she joined the staff of The New Yorker, to which she contributed for more than thirty years. She died in 1993 at the age of seventy-six.
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