Four hundred years after the birth of one of England's greatest poets, John Milton, the outstanding Australian poet, John Kinsella, has written a contemporary version of Comus, the masque that was commissioned by John, Earl of Bridgwater and performed for him at Ludlow Castle in 1634. This volume presents both Kinsella's new 'Dialogic Mask' and Milton's seminal original (taken from the published edition of 1645) with additional comment by John Kinsella and an illuminating introductory essay by Dr. Tim Cribb of the Cambridge University Marlowe Society.
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John Kinsella's many volumes of poetry include 'The Silo: A Pastoral Symphony', 'The Undertow: New and Selected Poems', 'The Hunt', 'Peripheral Light: Selected and New Poems', 'The New Arcadia' and 'Shades of the Sublime & Beautiful'. He is also author of the critical works 'Disclosed Poetics: Beyond Landscape and Lyricism' and 'Contrary Rhetoric: Lectures on Landscape and Language'. His previous plays are collected as 'Divinations: Four Plays'. His other work ranges across genres from short fiction to novels, libretti to autobiography. He is a Fellow of Churchill College, Cambridge University, and a Research Fellow at the University of Western AustraliaJohn Milton (1608-1674) is arguably one of England's greatest poets. Born in London, he attended St. Paul's School and Christ's College, Cambridge, where he started to write poetry. 'Comus' was completed and first performed in the period after he left university. A supporter of the Puritan cause and a minister in Cromwell's government during the period of the Commonwealth, Milton was forced to withdraw from society after the Restoration and lived the rest of his life in seclusion, completing his masterpieces 'Paradise Lost' and 'Samson Agonistes' only a few years before his death.
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