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Mining Couture: A Manifesto for Common Wear - Softcover

 
9781907317927: Mining Couture: A Manifesto for Common Wear
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Mining Couture: A Manifesto for Common Wear is a collaborative art project between the artists Barber Swindells and Leicestershire County Council’s Snibston Discovery Museum, exploring the relationship between coal mining and fashion and its surprisingly rich cultural history. Featuring essays, interviews and discussions, illustrated with photographs, maps, video stills and more, Mining Couture is a unique study that merges history, fashion art and contemporary life. Delving into the notion of common wear’ and focusing on its social context, the book is brought to life through first-hand written recollections by miners and industry workers, including an interview with the 1972 National Coal Queen Margaret Dominiak, alongside participation with contemporary artists and curators.

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About the Author:
In 2010 Claire Barber and Steve Swindells formed the artist collaboration, Barber Swindells. The collaboration is founded on site-conditional and artist-in-residence contexts; often weaving everyday human narratives, places and activities into the content and production of their work. Working across art and craft disciplines the artists have no restrictions on media. Together the artists draw from national and international exhibition and artist-in-residence experience. Claire Barber graduated from the Royal College of Art in 1994 in Fine Art: Tapestry. Claire has received numerous commissions and residencies both nationally and internationally. Steve Swindells has exhibited his work, individually and collaboratively, across Europe, Asia and North America. In 2008 he completed a three-month residency at Ssamzie Space, Seoul, South Korea.

Jessica Hemmings studied Textile Design at the Rhode Island School of Design and Comparative Literature at the University of London’s School of Oriental and African Studies. She has written many articles for publications such as Bloom, Crafts and Selvedge. Currently she is associate Director of the Centre for Visual and Cultural Studies at the Edinburgh College of Art. She is the author of Black Dog's popular title, In the Loop: Knitting Now

Professor Paul Ward studied at Queen Mary and Westfield College, University of London. He has taught at London Guildhall University, Middlesex University, the University of Westminster and Royal Holloway, University of London. He was visiting lecturer at the University of A Coruña in Spain in 2004, and Fulbright-Robertson Professor of British History at Westminster College, Missouri, 2004 to 2005. Paul is co-director of the Academy for the Study of Britishness. He is a Fellow of the Higher Education Academy and the Royal Historical Society.

Karen Gaskill is an independent curator and freelance researcher based in London, UK. Karen works nationally and internationally across independent venues and commercial gallery spaces, and has a PhD in Social Curation. Karen was the founder, co-director and curator of Interval from 2005-2009, an arts organization providing regular exhibition opportunities and a critical forum for emergent artists. Karen is a Senior Lecturer in Photography at Sheffield Hallam University, and guest lectures at institutions across the UK.

June Hill is a writer and textile art curator. She contributes regularly to magazines and exhibition catalogues including Embroidery,Selvedge and Textile: The Journal of Cloth and Culture.

Shelly Goldsmith is a textile artist based in Kent, England.

Margaret Dominiak was National Coal Queen in 1972. She lives in Yorkshire, England.
Review:
'Sincere and purposeful' Sleek Magazine 'There is no denying that old industrial Britain has become a fashionable and popular subject' The Observer 'Excellent book for fashion designers and students looking for workwear-inspired visual research, as well as showing an interesting insight into the final days of coal mining in the UK in the 60s and 70s'Arts Thread Featured in Crafts Magazine

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Book Description Condition: New. Mining Couture explores the relationship between coal mining history and fashion. The book delves into the notion of "common wear", records diverse narratives of fashion and labour, and focuses on the social context where the seemingly unrelated realms of mining and fashion converge. Editor(s): Swindells, Barber. Num Pages: 143 pages, 100 illustrations. BIC Classification: 1DBKEML; ACXJ; AGC; AKT. Category: (G) General (US: Trade). Dimension: 182 x 220 x 13. Weight in Grams: 460. A Manifesto for Common Wear. 143 pages, 100 illustrations. Editor(s): Swindells, Barber. Cateogry: (G) General (US: Trade). BIC Classification: 1DBKEML; ACXJ; AGC; AKT. Dimension: 182 x 220 x 13. Weight: 460. . 2012. Paperback. . . . . Seller Inventory # V9781907317927

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Book Description Condition: New. Mining Couture explores the relationship between coal mining history and fashion. The book delves into the notion of "common wear", records diverse narratives of fashion and labour, and focuses on the social context where the seemingly unrelated realms of mining and fashion converge. Editor(s): Swindells, Barber. Num Pages: 143 pages, 100 illustrations. BIC Classification: 1DBKEML; ACXJ; AGC; AKT. Category: (G) General (US: Trade). Dimension: 182 x 220 x 13. Weight in Grams: 460. A Manifesto for Common Wear. 143 pages, 100 illustrations. Editor(s): Swindells, Barber. Cateogry: (G) General (US: Trade). BIC Classification: 1DBKEML; ACXJ; AGC; AKT. Dimension: 182 x 220 x 13. Weight: 460. . 2012. Paperback. . . . . Books ship from the US and Ireland. Seller Inventory # V9781907317927

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Book Description Paperback. Condition: new. Paperback. Mining Couture explores the relationship between coal mining history and fashion. The book delves into the notion of common wear, records diverse narratives of fashion and labour, and focuses on the social context where the seemingly unrelated realms of mining and fashion converge. Mining Couture emerges from Barber Swindells' commission at the Leicester County Council Snibston Discovery Museum, UK, as part of the Transform regeneration programme. This volume is intended as an integral element of Barber Swindells' exploration of the theme of common wear. It illustrates and extends the work developed through their commission rather than document it rigidly - its aim being to present an open-ended process. A visual dialogue is developed between mining and fashion environmentalism through the juxtaposition of evocative photography, inviting the reader to take an active part in making links and shifting boundaries between these two realms. The book includes an interview with 1972 National Coal Queen Margaret Dominiak and contributions from textile artists and curators, exploring diverse themes: from the responsibility of making art in a social context, to the legacy of coal mining in contemporary fashion trends, through to crossovers between mining and fashion lexicons. Looking back at twentieth century Russian Constructivist and Italian Futurist anti-fashion designs, such as the TuTa, or Universal Overall, Barber Swindells develop their own work-wear and this book is a journal/sketchbook/manifesto of their ongoing process. Dr Steve Swindells is a Reader in Creative Practice and Claire Barber a Lecturer in Textile Crafts at the University of Huddersfield. They have been working together on site-conditional and artist-in-residence projects as Barber Swindells since 2010. ILLUSTRATIONS: 100 b/w and colour An unlikely study of the relationship between coal mining and fashion, and the idea of common wear as a design prototype. 100 illus. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9781907317927

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Book Description Paperback. Condition: new. Paperback. Mining Couture explores the relationship between coal mining history and fashion. The book delves into the notion of common wear, records diverse narratives of fashion and labour, and focuses on the social context where the seemingly unrelated realms of mining and fashion converge. Mining Couture emerges from Barber Swindells' commission at the Leicester County Council Snibston Discovery Museum, UK, as part of the Transform regeneration programme. This volume is intended as an integral element of Barber Swindells' exploration of the theme of common wear. It illustrates and extends the work developed through their commission rather than document it rigidly - its aim being to present an open-ended process. A visual dialogue is developed between mining and fashion environmentalism through the juxtaposition of evocative photography, inviting the reader to take an active part in making links and shifting boundaries between these two realms. The book includes an interview with 1972 National Coal Queen Margaret Dominiak and contributions from textile artists and curators, exploring diverse themes: from the responsibility of making art in a social context, to the legacy of coal mining in contemporary fashion trends, through to crossovers between mining and fashion lexicons. Looking back at twentieth century Russian Constructivist and Italian Futurist anti-fashion designs, such as the TuTa, or Universal Overall, Barber Swindells develop their own work-wear and this book is a journal/sketchbook/manifesto of their ongoing process. Dr Steve Swindells is a Reader in Creative Practice and Claire Barber a Lecturer in Textile Crafts at the University of Huddersfield. They have been working together on site-conditional and artist-in-residence projects as Barber Swindells since 2010. ILLUSTRATIONS: 100 b/w and colour An unlikely study of the relationship between coal mining and fashion, and the idea of common wear as a design prototype. 100 illus. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781907317927

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