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This new book offers a single, encompassing view of the development of landscape painting, photography, and land art in Britain from the eighteenth through to the late twentieth century. It reveals the strong continuity between British landscape art of today and that of over 250 years ago, with works by J.M.W. Turner, John Constable, Thomas Gainsborough, John Piper, David Nash, and Richard Long, amongst many others.
Tim Barringer is Paul Mellon Professor of the History of Art, Yale University.
Oliver Fairclough is Keeper of Art, National Museum of Wales.
"synopsis" may belong to another edition of this title.
About the Author:
Oliver Fairclough is Keeper of Art, National Museum of Wales.
Tim Barringer is Paul Mellon Professor of the History of Art, Yale University.
Review:
Tim Barringer is Paul Mellon Professor of the History of Art, Yale University.
"Successfully combines work by the greatest masters in the genre with the production of little-known and often unjustly forgotten Welsh painters"—Jacques Carré, Cercles
"A valuable addition to studies of ... landscape art"—Patricia Andrew, Cassone
"Successfully combines work by the greatest masters in the genre with the production of little-known and often unjustly forgotten Welsh painters"—Jacques Carré, Cercles
"A valuable addition to studies of ... landscape art"—Patricia Andrew, Cassone
"A valuable addition to studies of ... landscape art"—Patricia Andrew, Cassone
"Successfully combines work by the greatest masters in the genre with the production of little-known and often unjustly forgotten Welsh painters"—Jacques Carré, Cercles
"A valuable addition to studies of ... landscape art"—Patricia Andrew, Cassone
"About this title" may belong to another edition of this title.
- PublisherGILES
- Publication date2015
- ISBN 10 190780434X
- ISBN 13 9781907804342
- BindingHardcover
- Number of pages248
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Book Description Hardcover. Condition: New. Published to accompany an exhibition at the National Museum of Wales, this catalogue traces the development of landscape painting in Britain from the classicism of the 18th century, through the Romantic Movement to the environmental concerns of today. There are more than 80 plates, including work by Gainsborough, Constable, Turner, Monet and Sisley, and two essays, exploring the response of artists to the Industrial Revolution and the role of the Welsh landscape in British art. Seller Inventory # 509355
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Pastures Green and Dark Satanic Mills The British Passion for Landscape
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