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Synopsis
“The painter hoists a large canvas to the easel and sorts through a sheaf of images. He picks out a favorite view of Cannon street in the City. With the broadest brush he sweeps a darkened mixture of ochre, umber and cobalt blue, laying swathes of shadow before slashes of light in cream and grey blue. Having established the suggestion of sunlit buildings against a blackened ground he puts the canvas aside to replace it with an Oxfordshire landscape, while glancing at ten more canvases that await development.‘” (Painter’s Capital 2005) In a collection of works and artist’s notes the reader is introduced to the intimate process of landscape painting; from the initial choice of the subject and theme to detail the formation of a work. Oils, watercolours, drawings and sketchbooks include views of the Sussex Downs, Cornwall and Dartmoor, and abroad in France, Greece and southern Spain; with studies of London, Paris and work from the model, made in life studios. “The drawings and watercolours appeal to me personally” Hope Daniels, editor, American Style
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About the Author
Born in 1948, Bromley, Kent, England, Nicholas Philip James studied Painting with Keith Vaughan and Frank Auerbach at the Slade School of Art, University of London, and History of Art (MA) at Kingston University. His primary attraction to landscape was developed in works made on site in Sussex, Devon, Cornwall and the Lake District, progressing to city views of London and Paris. He has exhibited at The Royal Academy Summer Exhibition,The Royal Society of British Artists and regularly with the Royal Institute of Oil Painters (Winsor& Newton and Ranelagh Prize Winner; elected full member ROI 2006). Works have been shown at Whittington Fine Art, Henley; Courcoux & Courcoux Contemporary Art Hampshire; Wold Galleries, Gloucestershire; Bourne Galleries Reigate; The Turner Gallery Exeter, and Peter Pears Gallery, Aldeburgh. Works are held in numerous private collections in England and America. He maintains his practice as Philip James Studio.
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