Synopsis
The papers in this volume discuss the situation of artists during the early age of industrialization in several European countries, the benefits and challenges that the new materials brought to artistic practice and their effect on the ways in which techniques were taught in the art academies. For innovative artists the new materials were significant, but others were skeptical of the new industrial products and there was a struggle towards the standardization and documentation of working processes, paints and even aesthetic concepts.
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Expression and Sensibility
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Expression and Sensibility : Proceedings of the Seventh Symposium of the ICOM-CC Working Group on Art Technological Source Research, held a the State Academy of Fine Art and Design, Stuttgart, 10-11 November 2016
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Expression and Sensibility (Paperback)
Published by
Archetype Publications Ltd, London, 2018
ISBN 10: 1909492566
ISBN 13: 9781909492561
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Paperback. Condition: new. Paperback. The period between 1850 and 1940 is characterised by completely new artistic ideas and concepts as well as the introduction of many new products such as tubes of oil, tempera-based paints, synthetic organic pigments etc. offered by artists' colourmen, and industrial product ranges including metallic pigments. Some artists - often unfamiliar with the technical properties and qualities of ready-made products - reacted to these developments by introducing innovative artistic techniques while others reintroduced technical concepts that were considered obsolete by established institutions, or originated from non-European civilisations. There was a revival of interest in medieval and antique art technological sources, and German paint technologists in particular became involved with artists' materials, their use and studies of their material properties. The papers in this volume discuss the situation of artists during the early age of industrialisation in several European countries, the benefits and challenges that the new materials brought to artistic practice and their effect on the ways in which techniques were taught in the art academies. For innovative artists the new materials were significant, but others were sceptical of the new industrial products and there was a struggle towards the standardisation and documentation of working processes, paints and even aesthetic concepts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781909492561
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Expression and Sensibility : Proceedings of the Seventh Symposium of the ICOM-CC Working Group on Art Technological Source Research, held a the State Academy of Fine Art and Design, Stuttgart, 10-11 November 2016
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Expression and Sensibility: Art Technological Sources and the Rise of Modernism
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Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Seller Inventory # Z1-B-011-01249
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Expression and Sensibility: Art Technological Sources and the Rise of Modernism
Published by
Archetype Publications Ltd, 2018
ISBN 10: 1909492566
ISBN 13: 9781909492561
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Expression and Sensibility: Art Technological Sources and the Rise of Modernism
Published by
Archetype Publications Ltd, 2018
ISBN 10: 1909492566
ISBN 13: 9781909492561
New
Softcover
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Condition: New. 2018. Paperback. . . . . . Books ship from the US and Ireland. Seller Inventory # V9781909492561
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Expression and Sensibility (Paperback)
Published by
Archetype Publications Ltd, London, 2018
ISBN 10: 1909492566
ISBN 13: 9781909492561
New
Paperback
Seller: AussieBookSeller, Truganina, VIC, Australia
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Paperback. Condition: new. Paperback. The period between 1850 and 1940 is characterised by completely new artistic ideas and concepts as well as the introduction of many new products such as tubes of oil, tempera-based paints, synthetic organic pigments etc. offered by artists' colourmen, and industrial product ranges including metallic pigments. Some artists - often unfamiliar with the technical properties and qualities of ready-made products - reacted to these developments by introducing innovative artistic techniques while others reintroduced technical concepts that were considered obsolete by established institutions, or originated from non-European civilisations. There was a revival of interest in medieval and antique art technological sources, and German paint technologists in particular became involved with artists' materials, their use and studies of their material properties. The papers in this volume discuss the situation of artists during the early age of industrialisation in several European countries, the benefits and challenges that the new materials brought to artistic practice and their effect on the ways in which techniques were taught in the art academies. For innovative artists the new materials were significant, but others were sceptical of the new industrial products and there was a struggle towards the standardisation and documentation of working processes, paints and even aesthetic concepts. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9781909492561