This book offers a beautiful exploration of Henri de Toulouse-Lautrec's works in lithography. It explores the new artistic approach to the poster at the end of the 19th century, which bridged visual and popular culture and turned the relationship between 'high' and 'low' art on its head. Technical innovations in lithography pioneered by Lautrec and other artists produced larger sizes, more varied colors and new effects and launched the role of the poster as a powerful tool for communication and marketing in fin de siècle Paris. Lautrec's embrace of celebrity helped to define the famous hotspots (theaters, cabarets and café-concerts) of fin de siècle Paris and made their stars recognizable figures across the whole city. Works by contemporaries such as Pierre Bonnard, Théophile Alexandre Steinlen and Jules Chéret also feature, and Lautrec's influence on British, and particularly Scottish, artists of the period will be explored. These include Walter Richard Sickert, Arthur Melville, John Duncan Fergusson and William Nicholson.
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Hannah Brocklehurst is Curator of Prints and Drawings at the National Galleries of Scotland. Her previous books include The Printmaker’s Art (2015).
Frances Fowle is Senior Curator of French Art at the Scottish National Gallery and Reader in History of Art at the University of Edinburgh. She is a specialist in French nineteenth-century art, collecting and the art market and has published widely on these subjects. Her previous publications include Monet and French Landscape (2006), Impressionism and Scotland (2008), Van Gogh’s Twin: The Scottish Art Dealer Alexander Reid 1854-1928 (2010) and Inspiring Impressionism: Daubigny, Monet, Van Gogh (2016).
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Paperback. Condition: new. Paperback. Henri de Toulouse-Lautrec's brief career coincided with one of the most exciting periods in the history of western printmaking. In Paris at the end of the nineteenth century, a new generation of avant-garde artists made techniques such as lithography, etching and woodcut central to their creative process, sparking a printmaking and collecting boom. Vibrant images of the celebrities of the day - performers, singers and dancers from Paris's most famous nightclubs such as the Moulin Rouge and the Chat Noir - Lautrec's work was a huge commercial success and is still widely admired to this day, with reproductions popular the world over. The prints and posters of this time are colourful, evocative and iconic. Toulouse-Lautrec's ground-breaking achievements in lithography, his technical and artistic virtuosity and modern outlook and approach, transgressed traditional boundaries by mixing popular culture, commerce and art and led the way to modern visual culture. AUTHOR: Frances Fowle is Edinburgh College of Art International Director, Reader in History of Art and Senior Curator of French art at the Scottish National Gallery. Hannah Brocklehurst is Curator of Prints and Drawings at the Scottish National Gallery. SELLING POINTS: . Explores Toulouse-Lautrec's art as a printmaker . Unique perspective on the role of the poster and wider print distribution as a tool for communication and marketing . How Toulouse-Lautrec's art helped to define and promote specific Paris hotspots of the belle epoque and created the concept of celebrity status across Paris . Accompanies an exhibition at the National Galleries of Scotland in October 2018 100 colour images Explores Toulouse-Lautrec's work as a printmaker and the ways in which his printed works were used for marketing and publicity in the belle epoque. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781911054214
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