This ground-breaking publication presents the papers delivered at the international Conference held in Cambridge in December 2016 to mark the end of the Fitzwilliam Museum's acclaimed bicentenary exhibition COLOUR: THE ART AND SCIENCE OF ILLUMINATED MANUSCRIPTS. It is the first of two volumes in which medievalists and scientists share the results of their research, and combine here to elucidate both the materials and techniques of production of illuminated manuscripts, as well as the artists' collaboration and their aesthetic objectives. Of the 34 papers given at the proceedings, 17 are included in the present volume covering scientific analyses of West European, Byzantine and Islamic manuscripts, Colour and Pigment Studies, Painting Techniques and Workshop Practices, as well as details of the latest scientific techniques and instruments employed for these non-invasive and non-destructive investigations into the delicate manuscripts. The texts are accompanied by over 200 illustrations as well as explanatory Tables and Diagrams.
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Couverture rigide. Condition: Neuf. Dust Jacket Condition: Neuf. Edition originale. S. Panayotova, P. Ricciardi (eds.) 224 p., 240 colour ill., 220 x 280 mm, 2018 ISBN: 978-1-912554-13-3 Languages: English Hardback The publication is available Retail price: EUR 220,00 print Share/Save/Bookmark Table of Contents VISION, COLOUR AND MEANING Vision and Colour in the Works of Giotto and His Contemporaries ? Donal Cooper Robert Grosseteste?s De iride and its Addendum in the Vatican Manuscript Barb. Lat. 165: Transmission, Reception, Meaning ? Cecilia Panti and Greti Dinkova-Bruun Seeing a Pink Elephant: Creating Meaning through Colour in the Medieval Bestiary ? Elizabeth Morrison The Colours of Fortune ? Deirdre Jackson ILLUMINATORS? MATERIALS Recipes and Reception: Late Mediaeval English Colour. Recipes and Amateur Illuminators ? Mark Clarke Looking for Lichen, Fooled by Folium and Tricked by Tyrian: A Brief Tour and New Research on Purple in Manuscripts ? Cheryl Porter, Maurizio Aceto, Elisa Calà, Angelo Agostino, Gaia Fenoglio, Ambra Idone and Monica Gulmini Reflecting a Heavenly Light: Gold and other Metals in Medieval and Renaissance Manuscript Illumination ? Nancy Turner Gold or Brass, Silver or Tin: the Analysis of Metals in Medieval Book Illumination ? Robert Fuchs, Cologne Institute for Conservation Sciences Pigmenta: Materials for Writing, Painting and Healing ? Lea Olsan The Use of Copper Sulphates in Sixteenth-Century Flemish Illumination: Simon Bening as a Case Study ? Giulia Bertolotti and Paola Ricciardi ANALYTICAL TECHNIQUES Between Tradition and Innovation: Giving Light to a Visionary Text in the Lorvão Beatus ? Maria João Melo, Maria Adelaide Miranda, Rita Castro, João Lopes and Jorge Sarraguça Scientific Study of Cistercian Illuminated Manuscripts: Techniques, Aesthetics and Religion ? Catarina Miguel, Angela Nuñez-Gáitan, Maria Luisa Carvalho and Cristina Barrocas-Diasa Mapping and identification of the pigments used in two illuminations from the Laudario of Sant?Agnese attributed to the Master of the Dominican Effigies ? John K. Delaney, Kathryn Dooley, Damon Conover, Lisha Glinsman, Giorgio Trumpy and Michelle Facini The Benefits of Scanning Illuminated Manuscripts with MA-XRF and MA-rFTIR ? Stijn Legrand, Paola Ricciardi and Koen Janssens RESTORATION AND FORGERY The Psalter-Hours of Isabelle of France in the Nineteenth-Century ? Stella Panayotova The Spanish Forger Exposed: an Interdisciplinary Study of Two of His Paintings ? Christina Currie, Steven Saverwyns and Dominique Vanwijnsberghe Language : english text - codice articolo 011421. Seller Inventory # 011421
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