The immensely likeable Jake, charismatic and loved by women especially, is homesick for Harlem - the throbbing heat of pulsing in the heart of a "white man's city" - where all the various and varying pigmentation of the human race were assembled...dim brown, clear brown, rich brown, chestnut, copper, yellow, near-white, mahogany, and gleaming anthracite. He's deserted the U.S. army after not being allowed to fight because of the colour of his skin. Instead, he was set to labouring while the whites went off to the front. After some time in London, where he acquires a smart English suit and a penchant for drinking fancy Scotch and soda, Jake heads home working aboard a freighter ship. When Jake finds his dream girl first night back in town he is soaring, yet circumstances conspire which prevent him from being able to return to her. Jake is easy-going so he soon puts misfortune behind him and immerses in Harlem's nightlife, cabarets, gambling houses, buffet flats, eats, and most of all the Harlem's chocolate-brown and walnut-brown girls. There is loving to be had but also danger. Fights over women, and fights of men are a regular occurrence. But while Jake's friend Billy Biasse, who runs a gambling house, packs a gun, Jake is all about love. He doesn't carry a gun and is disgusted by any violence he is provoked to do. Unlike his pal, Zeddy, Jake ain't no "sweet" man - he works. And when work takes him on the railroad as a chef he meets Ray, an educated black, who makes Jake realise maybe he wants something else... Controversial when first published, seen by some to put the blacks of Harlem in a bad light, the language has lost none of it's colour, and the rhythm of speech is preserved in the ample dialogue of the characters. McKay, a leading poet of the Harlem Renaissance, wanted to capture the intense spirit of vagabond blacks. Home to Harlem explores the notion of a distinctive identity for blacks. Lusty, raw characters are presented without judgement, and the full vibrancy of 1920's Harlem shines bright.
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